TV Review: Chuck 2.4 – Chuck vs. the Cougars

Posted by Neil Miller (neil@filmschoolrejects.com) on October 21, 2008

Chuck vs. The Cougars

Chuck, NBC, Airs Mondays 8/7c

Episode: “Chuck vs. the Cougars” (Season 2, Episode 4)

Synopsis: San Diego, 1998: A teenage Sarah drives home from school. She pulls up to see that ATF agents have raided her home and are arresting her dad. She speeds off, crying, and goes to a wooded area where she digs up a box. Inside are bundles of cash with a note that reads, “In case of emergency. Love you, Daddy.”

Review: Based on title alone, I would have though that this episode of Chuck had something to do with Agent Charles Carmichael going after a few aging, hottie super-spies. Unfortunately, it is more about the continuing awkward push-pull in Chuck’s relationship with Sarah. On a good note, we do get to see what Sarah looked like in high school — and I must admit that even with braces and frizzy hair, I am still way hot for Yvonne Strahovski.

But enough about what took place after the show, lets talk about what happened during this week’s episode. We shall start with some appreciation for this week’s celebrity guest stars. As you might remember, this season has been all about bringing in some fun cameos to help keep things fresh — though, I would argue that things were in good shape, especially since they’ve found a way to balance the sometimes sappy Chuck/Sarah relationship with the ongoing battle between Morgan (Joshua Gomez) and Lester (Vik Sahay) at the Buy More. That has always been a key to this show’s success, the ability to not linger in the love story and to keep the antics of Morgan weaving in and out of the main storyline. It appears, at least up to this point, that they’ve found a great rhythm with that this year.

It appears that I’ve lost track of what I was talking about — back to the guest stars. This week we saw an appearance from Nicole Richie, who is only bested in the ‘worst f*&king actress ever’ category by her Simple Life co-star Paris Hilton. Thankfully she stays out of her own way, and ultimately ends up in one of the episodes more titillating scenes, in which she and Yvonne Strahovski duke it out in the showers. But, since this is network TV, the scene was still laking something. And I think you know where I’m going here. Also, we got a guest spot from Ben Savage this week, which was pretty funny. His appearance just proves that only someone like Cory Matthews from Boy Meets World could believe that Chuck was a bonafide Secret Agent Man.

Overall, this episode saw its share of action, which is always good; its share of Morgan, which is also pretty good, seeing as he really brings the hilarity; and it saw plenty of Chuck and Sarah awkwardly trying to deal with their budding love for each other — which is sometimes a bit annoying, but I’m willing to overlook that on account of the show’s continuing commitment to being very funny. If you aren’t watching Chuck, then you’d really better have a good excuse — because there aren’t too many shows out there, save for Ben Savage’s older brother’s show It’s Always Sunny, that are funnier from week to week.

Up Next Week: Life in espionage takes its toll on Chuck (Zachary Levi) and everyone is taking notice. Chuck tries to explain his unusual behavior to Ellie (Sarah Lancaster) and to the quirky Buy More efficiency expert Emmett Milbarge (guest star Tony Hale), but a new assignment only complicates things. After a global terrorist comes searching for Jeff (Scott Krinsky), Chuck is forced to socialize with Jeff in order to find out what role the oddball plays in the mission. Sarah (Yvonne Strahovski), Casey (Adam Baldwin) and Chuck are all shocked when they discover that the fate of the world and the prevention of World War III rest in Jeff’s hands.

For more coverage of your favorite shows, check out the Control Freaks Archive.

Did you watch Chuck this week? If so, feel free to discuss below.


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  • Tim
    I love this show, Yvonne Strahovski is a fox.

    I could have done without the Nicole Ritchie cameo though.
  • ilryn
    true that tim, ritchie cant act...and shes looks beat down. couldt they get denise richards
    or something??? pretty sure she's avalible.
  • This show is circling the drain as far as my viewership goes. I feel like every episode is like a madlibs puzzle with monkeys filling in the blank spaces. (fill in name) deals with (fill in something) from their past while (blank gets in way). Eventually the general makes Chuck act as spy before he messes it up, has to tackle the mission on his own and lets (name from beginning) resolve their issues. Oh, and the Buy More characters tackle something completely slapstick.

    If you're gonna go the Law & Order route of doing the same thing every episode atleast don't make it obvious. This is getting pathetic. You can see each plot point coming from a mile away and it doesnt help that the episode teasers give every little thing away. Chuck cold learn a thing or two from the X-Files (another show where only a couple characters dominate the entire show but the peripherals maintain a logical prescene). Allow episodes to follow one individual character with the others peaking in for only a brief shot. Follow Casey (it will endears us to him more), let Chuck battle his own demons sans Sarah, and let Sarah have an episode entirely to herself; I mean yes we have established she is damn fine, but there are just too many holes in her character to make us care- at. all.This show has something should turn on viewers across demographics: espionage. Not only that but Joe Six-Pack (har har) gets to be a spy.

    The worst part about this show is that the premise is almost completely lost believeability within the reality of Chuck's life. Why does the CIA need Chuck to keep his job at the Buy More? They introduce two complete spooks (Sarah and Casey) into the Burbank area and let them bounce around as if their jobs dont mean a thing. Also, who works retail and is allowed as much freedom as Chuck gets. Managers may be boneheaded but they don't allow their best employees to leave in the middle of every shift.

    If this show is to survive they need to vary the episode plotlines, give us more depth and spotlighting of characters, and make a reality that viewers can buy into.
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