Note: As Rob Hunter has been busy covering SXSW and watching Love Exposure on repeat, Landon Palmer is trying his best to fill his globe-trotting cinematic shoes. Rob will be back next week with another object from a foreign land. To make the observation that some really great films have been coming from South Korea in the last few years is to say nothing new. To say that there have been a lot of violent revenge movies from that country is also to say nothing new. But between Lee Chang-dong’s wonderful Poetry and Bong Joon-ho’s equally great Mother from last year, another revisited theme has emerged in South Korean exports: maternal figures that must care for and live with children who may or may not have committed a heinous crime to a young woman.