We all know what it feels like when a film touches on events yet to come. Usually it’s the best when it’s something that you could only pick up on after already watching the film once before – it’s like a little inside joke you get to have with the filmmakers, a reward for sitting through the movie more than once. At times it’s not even the fact that it foreshadows event in the films, but rather that it’s so subtle that it takes a few goes to even pick up on. Other times are less subtle, but just as fun. This is probably going to have spoilers in it. Just to be clear.

If it were up to me, every movie would be required at least one musical number. Seriously, every movie. Children Of Men would have a song in it, Sophie’s Choice as well. Why? I don’t know – it would be funny I guess. Fine, so it’s probably not a great idea. I take it back. I just get excited when a song becomes the center of a scene – especially in comedies. People rarely have the nibs to stick a good musical sequence or two in their non-musical genre films, so let’s take a moment to pay our respects to those who did it so well by arbitrarily judging them in list form.

It’s been a very big, hyper-serious week here at Film School Rejects. Well, everything but the hyper-serious part anyway. We celebrated a big birthday by finally getting potty trained, we pulled the wheels of a big time movie director’s campaign against critics, we rapped to you, we reviewed a bunch of movies that weren’t so great, we reported on epic, Asgardian trailers and movies about Egyptian democracy and we interviewed people, shared opinions about movie universes and took you to Funky Town. Okay, all but the part about Funky Town. But you know it’s coming. Bask with me in the glory of this week’s best articles as we recount The Week That Was.

Adapted from the Henry James classic of the same name, Wayne’s World traces a young provincial girl’s journey toward self-realization and womanhood.

Not!

(It was necessary that a “Not” “joke” be worked into this at some point, so let’s just be thankful that we’ve gotten it out of the way this early.) Wayne’s World is, of course, the film adaptation of the seminal, 90s, Saturday Night Live sketch about two slacker BFFs, Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey). The duo host a wildly popular, Aurora, Illinois-based public-access show, broadcast from Wayne’s parents’ basement. The film elaborates on this premise by giving Wayne a robo-babe love interest, Cassandra (Tia Carrere), and introducing Benjamin (Rob Lowe), a smooth-talking television executive who plans to exploit “Wayne’s World’s” popularity and drive a wedge between Wayne and Cassandra.

Remember all of those movies you love to sit around watching and loving and talking about? Some of them were directed by women. You didn’t even know that. Did you, you chauvinist pig?

The Rocker starring Rainn Wilson opened in theaters Wednesday. We decided this warranted a list, but instead of just hashing out a list about 10 movies about rockers that rocked, we wanted to give you ten rockers who rocked in movies that may or may not have even been about rocking.

Advertising has become a huge source of income for the entertainment industry, and that trend is only going to go up.