Wayne Kramer

The last time I heard about The Cooler and Running Scared director Wayne Kramer, he was jumping off of Sylvester Stallone’s upcoming hitman movie Headshot because they couldn’t agree on a direction for the film. Kramer reportedly wanted to make it more dark and violent, while Stallone was looking for a lighter, more humorous approach. Needless to say, at the thought of Stallone doing more comedy, I easily fell down on Kramer’s side of the disagreement. So now that he’s gotten some distance between himself and the Headshot debacle, what is the director going to try for next? According to Deadline Tembisa he’s going to be filming Ecstasia, an original script that he wrote himself, for Relativity Media. Ecstasia is said to tell the story of an alternate universe where love no longer exists. In order to feel any sort of emotional attachment to someone, people must go through a medical procedure called “commitment” which sends emotional signals to your brain through an implanted computer chip. The problem is, commitment is a very expensive procedure to maintain, so when couples run out of money they either have to resort to desperate measures to keep it going, or fall out of love completely. Ecstasia centers on a couple that is in just such a predicament. Given Kramer’s penchant for the dark, I’ll be interested to see just what those “desperate measures” end up being. And also what his explanation is for people who can’t fall in love wanting to fall in [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

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It was just reported yesterday that director Wayne Kramer was exiting Sylvester Stallone’s upcoming starring vehicle Headshot, and already there is word of who might step in to take his place. As far as his falling out with the film’s original director Wayne Kramer, Stallone says, “Initially, Mr. Kramer was hired to direct a dark comedy. However, his vision was much darker and exceptionally more violent than how the project was originally conceived. It was decided that it would be better for everyone to move on and consequently Mr. Kramer was dismissed by producers earlier this week. There were no volatile clashes, it was simply a professional parting of the ways.” So, who does Stallone think has what it takes to fulfill his more comedic vision for the project? One of the top names being considered, and the one Stallone seems to want, is veteran director Walter Hill. Stallone says, “I completely respect Walter’s incredible body of work and hopefully this legendary director will become attached to the project.” I can’t fault that sort of logic. If you want to make a funny film, what better way than going out and getting the guy who made Brewster’s Millions? I have to say that I am a little disappointed to hear the reason for Kramer’s dismissal, however. While Hill has made one of the most beloved action comedies of all time with 48. Hours, I think Stallone is forgetting what his own track record with the comedy genre is. Has Stallone [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

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Headshot was going to be the first movie that Sylvester Stallone starred in without directing himself in quite some time. When the project was announced a couple months ago it was said to be stemming from a script written by Alessandro Camon, that it would star Stallone, but someone else would direct. That someone else turned out to be Wayne Kramer, director of The Cooler and Running Scared. But that’s now off after Kramer and Stallone have reportedly clashed over the direction of the film, and Kramer has decided to leave the project to make something he wrote himself instead. There have been stories about Stallone being hard to work with going around Hollywood ever since there has been a Sylvester Stallone in Hollywood. I remember once hearing his brother Frank Stallone tell an anecdote about how Sylvester hates Renny Harlin because when they worked together on Cliffhanger, Harlin did whatever Stallone wanted and ostensibly directed the film as his puppet, but when Stallone hired him to make Driven, he went off on his own in the editing room and made his own choices. The nerve of the man! Most of the commentary on Kramer leaving Headshot presupposes that Stallone may just bite the bullet and end up directing himself, but I imagine it’s just as likely that he’ll find someone younger and less headstrong than Kramer, and then simply direct the movie through them. When the chips were down and his career needed a serious resurgence, Stallone sat in [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

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From what I’ve heard, Millennium Pictures has all the right ideas for the Bruce Willis and Jaime Foxx led actioner. It will be stylish and ultra-violent, just like the video game. And now they’ve got a director that could make it all happen.

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This highfalutin, silly immigration drama from writer-director Wayne Kramer wastes a lot of terrific actors.

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Crossing Over

Today finds the release of a new trailer for Harrison Ford’s immigration drama, Crossing Over. Per the director, Wayne Kramer, the movie “is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles.

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Harrison Ford and Alice Braga in Crossing Over

In exploring the newly updated 2008 Summer preview from the Weinstein Company (which makes no mention of Fanboys, by the way), I stumbled upon the late-summer release Crossing Over, which stars Harrison Ford, Sean Penn, Ray Liotta and Ashley Judd.

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published: 02.13.2012
SF IndieFest
published: 02.12.2012
SF IndieFest
published: 02.12.2012
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