Twists

Why Watch? Because the most important thing is family. The less said about this short, the better. It’s clear when the little girl picks up the phone to speak with her father that something’s wrong, but writer/director Dick Maas isn’t quick to give the story’s secrets away. It resembles a Richard Matheson short story (but even mentioning its name might give away the twist here for fans familiar with his work), and it’s a strong execution of a keen, spooky idea. What does it cost? Just 5 minutes of your time. Check out Long Distance for yourself:

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The release of Catfish, a movie that will cause you to be beaten to death by the internet if you even mention its name, brings to mind a few movies of the recent past that we couldn’t talk about. These films were more than just big twists. They were entire experiences that audiences, in rare form, decided were too incredible to spoil for anyone. It seems we’re getting farther and farther away from that here in the Information Age, but Catfish (whether or not the hype is deserved) is a great reminder of films that gained mystique because you “had to see them for yourself.” Here are a few of those films.

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This week on a very special Reject Radio, special guest Peter Hall from Cinematical threatens us with a pumpkin carving knife and digs into the horror flicks that rolled out randomly (in October of all months!) last week. We also talk more intelligently about Antichrist than anyone else so far.

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published: 02.13.2012
SF IndieFest
published: 02.12.2012
SF IndieFest
published: 02.12.2012
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