The Sopranos creator David Chase has been working on his Not Fade Away ever since the gangster show’s finale. That’s a bit ironic, considering The Sopranos’ ending wasn’t afraid to piss off a few million viewers, while his directorial feature debut, Not Fade Away, appears to be about as safe as coming-of-age tales come. Chase may not try to reinvent the wheel this time around, but based on this trailer, maybe he doesn’t need to. Check out the first trailer for Not Fade Away after the jump.

I really love Mad Men. I talk about it a lot. Since The Wire ended in 2008, and I haven’t seen any episodes of Boardwalk Empire yet, then as far as my knowledge takes me it’s the best damn show currently on television. Nothing I’m saying here is necessarily new, but Mad Men effectively does a great many things I’ve never seen television do before in that it 1) delivers is an incredibly entertaining and engaging media object while it uses its protagonists to criticize and reveal the potentially manipulative processes of media itself, 2) interrogates any continuous notion of the ever-interpretationally-oscillating “good old days” by showing how they were neither that good nor that long ago, thereby criticizing our culture’s all-too-convenient rotating manufacture of nostalgia, 3) utilizes the past to criticize white male heteronormative hegemony and reveal a systematic culture of sexism, racism, and homophobia, and all the while 4) creates compelling drama as manifested by ambiguous, layered characters with the combination of beautiful cinematography and impeccable production design. Mad Men, in short, is an engrossing, enjoyable, and thought-provoking series in unprecedented ways. But for a show to engage in such a rare criticism of a cultural moment, a bit of negotiation is required. And it is in this respect that some major problems with the show have arisen recently.

In the last ten years, practices of storytelling and spectatorship in television have changed drastically, and, most likely, for good.

I wasn’t quite sure at first how to tackle a list of the Best DVDs of the Year… by definition, aren’t the best dvds the ones containing the best movies? (Yes, they are.) We don’t want this to be a list of the year’s best movies though, so instead we’re looking at the best collections, box sets, and special editions. Obviously the quality of the movies or shows within still matter, but they’re just one aspect of a truly great dvd release. The other two most important things in a quality dvd are the extras and the packaging. The best dvds of the year should ideally have all three traits… awesome feature, awesome extras, awesome packaging. (At the very least they should have two out of three.) So here we go. These are the Best DVDs of 2009! AK100 (Criterion) This may be considered cinematic heresy but I’ve only seen three of Akira Kurosawa’s many movies. Forgive me. Happily the fine folks at Criterion have long been supporters of the director, and this year they released the most comprehensive dvd set ever seen for any director. AK100 celebrates what would have been Kurosawa’s 100th birthday and includes 25 of his movies from a career that lasted half a century. It includes the ones I’ve seen (Seven Samurai, Rashomon, and Yojimbo) and several others including a few that have never even had an official dvd release. The films each come in their own case, and the set also comes with a

For those of you who thought the ambiguous ending to the “Sopranos” series finale was an indicator that creator David Chase was just milking for a Jersey mafia movie deal, you were wrong then and you’re wrong now.