As movie-goers, we are all familiar with that excruciating moment when you are watching a movie and the action is so horribly uncomfortable that you actually feel the need to cover your own face. It’s this nonsensically powerful moment when you actually feel embarrassed for a fictional character because of some terribly awkward scenario that you’d rather watch a murder than bare witness to. It’s like a horror movie almost – it’s that same turtle reaction where you just want to shrink away. And like horror, it’s either done really well or it’s abused, which is why I want to share with you the films I think did it the very best. Oh, and if you are wondering why I only picked 9 – it’s the most awkward number I could think of.

If it were up to me, every movie would be required at least one musical number. Seriously, every movie. Children Of Men would have a song in it, Sophie’s Choice as well. Why? I don’t know – it would be funny I guess. Fine, so it’s probably not a great idea. I take it back. I just get excited when a song becomes the center of a scene – especially in comedies. People rarely have the nibs to stick a good musical sequence or two in their non-musical genre films, so let’s take a moment to pay our respects to those who did it so well by arbitrarily judging them in list form.

Episodes and seasons and weeks after its inspiration and its humor have peaked, I still continue to watch new episodes of The Office week in and week out. I don’t know why – I never do this with dramatic shows, only with comedies – but I tend to stick with comedy shows whose legacy I appreciate even if their time has passed, either out of respect, blind hope, or simply the desire to have some noise in the room while I take a break to eat a meal or fold laundry. While The Office certainly isn’t what it used to be, even before Steve Carell left, it’s still an inoffensive and enjoyable way to pass some time. I can’t deny that the affinity I developed for the show’s characters early on in the series has carried me through a lot of its creative droughts (in other words, I hardly watch it only for its comedy) even as more recent network sitcoms like Modern Family, Community, and (especially) Parks and Recreation have made me LOL significantly more often. But in the bizarre cameos leading up to a strange and dry seventh season finale, The Office seems to have encountered much greater problems than a rudimentary lack of inspiration typical for the (possibly cyclical) lifespan of a long-running television show. The Office seems to have rejected the defining characteristics that made it unique in the first place.

This week, the Fox TV show Glee (a show I’ve never watched a minute of) hit your local retailers with the first part of its first season on DVD. And while I’m not too sure about the show, I am sure about the hilarity created by Jane Lynch.

Don’t let the obvious title fool you–Landon actually enjoyed Judd Apatow’s latest, and this week’s Culture Warrior explores the virtues of an unfunny movie about funny people.

Judd Apatow’s, Adam Sandler starring, Funny People is nearing release, and as such, the online presence is stepping up. In this case we have a website.

With this weekend’s release of I Love You, Man, the recent trend of comedies centered on platonic male relationships—the ‘bromance’—is articulated to its furthest extent thus far, taking the traditional genre formula of the romantic comedy and replacing the traditional male-female love story with two heterosexual males. While this trend of celebrating intimate male friendships is pervasive and seemingly wholly new in mainstream American comedies, the determining predecessors for this trend, and its balance of male and female characters, contains roots in canonical films of 1960s and 70s New Hollywood.

According to Yahoo! news, Judd Apatow, who has become a juggernaut of comedies in the last three years with films like Knocked Up, The 40-Year Old Virgin and Superbad will be honored as Comedy Person of the Year at the Just for Laughs comedy festival in Montreal, July 10-20.

Elizabeth Banks has been a crazy nymph, a sarcastic Daily Bugle secretary and now a sexy Santa helper. But in this series of pictures, she is NSFW for sure.