Monty Python veteran Terry Jones has co-written (with Gavin Scott) and will direct a Sci-Fi farce called Absolutely Anything that has been said might be the cause of a mini-Monty Python reunion. Unfortunately, all of the members of the Python crew are no longer with us, but news from Variety says that Jones’ new film is now looking like it will, in fact, manage to get back together at least most of the surviving members. In addition to his own involvement, Jones has already signed up John Cleese, Terry Gilliam, and Michael Palin, and he’s currently negotiating with Eric Idle.

What is Movie News After Dark? It’s a nightly movie news column that has a bit of a fashion sense, a sometimes sexy side and perhaps even a creepy streak. It will use and abuse all of these facets of its game in tonight’s edition. This one, as they say, is a must-read. We begin tonight with an image of custom Attack the Block themed shoes made by Toni Taylor-Salisbury, whom you may know as Mrs. Junkfood Cinema. The lovely Kayla Kromer tweeted them earlier this evening, as yet another example of Mrs. Salisbury’s amazing work in the realm of geek footwear. You can check out her other work over on her Etsy store. Do it now. Then come back, because there’s more news.

What is Movie News After Dark? It’s a nightly column about movie news and things that interest you. Hopefully it finds more of the latter, but it tries to do its best. It’s no super soldier of news aggregating, but it certainly has taken its share of experimental drugs at the behest of Tommy Lee Jones. The characters of Captain America: The First Avenger now have their own posters. Released today via Cinemarcado, the one-sheets feature Chris Evans as Steve Rogers, Hugo Weaving as Red Skull (above) and Hayley Atwell as Peggy Carter, Cap’s lady of interest. The most interesting is Red Skull, who looks pretty wicked. Is it me or does he look like Hell-spawn that spent too much time with Michael Jackson’s plastic surgeon?

This Week in Blu-ray we take a look at some new educational material from the BBC in the form of Human Planet, but it’s not without some high drama. We also take a walk with Terry Gilliam through the mind of Hunter S. Thompson. Again, not without some high drama. And there’s a quick sidestep into the world of South Park. High drama ensues. And finally there’s no high drama in the crime thriller Blood Out, not to be confused with the far better Brian De Palma film Blow Out, which also streets this week. It’s a lot of drama and a few laughs this week as we comb through the best and worst of this week’s Blu-ray releases. Human Planet There will be a much more in-depth review of this title coming soon, as I have so much to say about what the BBC has done with Human Planet. For now lets work with the short version. Narrated by John Hurt, Human Planet takes the idea of filming our big blue planet in all the glory of high definition and combines it with the study of man. How do we, the only animal to inhabit every terrain on terra firma, interact with the abundance of nature that surrounds us at every turn? From the wild rivers to the deep oceans to the sky-reaching concrete and steel cities we’ve erected from her upper crust, humanity has a unique relationship with our home planet. And this documentary series captures it brilliantly. [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

This week, on a very special episode of Reject Radio, we talk with sex symbol and film legend Angie Dickinson, discuss the parasitic relationship between studios and theaters, talk Bellflower‘s marketing strategy, and play a game we’re calling “Co-Directors.” Former assistant theater manager, massive film fan, and creative director at Rock Sauce Studios John Gholson explains how studios and theaters work together. He also makes a sex comedy featuring Andy Griffith seem just as enticing as it is in real life. Angie Dickinson has starred in over 50 films, played iconic roles from Rio Bravo to Ocean’s Eleven, and she was kind enough to spend some time talking to us about working with Sam Fuller and Frank Sinatra, creating her characters, and how movie-making has changed. FSR’s own Culture Warrior (and one of the Talking Heads) Landon Palmer braves a segment where we come up with directors we’d like to see work together, pitch a project for them, and figure out if it has a chance of getting made. Eternal Sunshine of the Spotless Murder sounds like it could be a massive hit. Plus, our very own Jeremy Kirk matches movie news wits with Peter Hall from Hollywood.com. Who will triumph at the sound of the correct answer bell and who will be forced to narfle the garthok? Loosen up your tie and stay a while. Listen Here: Download This Episode

Every day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. Saaaaaaaam…….Saaaaaaaam……. It’s interesting to see how little Robert De Niro is featured in this trailer, but Jonathan Pryce is the star after all. Or, rather, Terry Gilliam’s visuals are the true star alongside a big dose of face-stretching nihilism. After all, it’s only a state of mind. Think you know what it is? Check the trailer out for yourself:

As the only literate Reject, it’s my duty to find the latest, the greatest and the untouched classics that would make great source material for film adaptations. I read so you don’t have to. The end of the world is coming pretty soon, and the best way to be prepared for it is to read this book by Neil Gaiman and Terry Pratchett. Don’t be caught with your pants down during the end times. Know your future, gird your loins, avoid gorgeous red heads that make you angry for no apparent reason, and keep a close eye on that neighborhood gang of kids that seems totally harmless. They’re probably hanging out with the Antichrist.

Merry Christmas Mr. Lawrence is a truly unique film by several definitions. Japanese master filmmaker Nagisa Oshima’s first English-language film (and it is worth noting here that much of it is in Japanese) embodies some dense discourses about Japanese identity, yet in many respects this is a film without a nation. But that’s exactly the point, for Merry Christmas Mr. Lawrence embodies a host of contradictions in terms of how we’re used to experiencing films of its relative ilk: it is a film about war, yet it is never about patriotism or combat; it is a film about an intersection of cultures, yet it never seeks to deliver a message of sameness of common ground; and it is a film about sexual tensions between males, yet homosexuality is never explicitly addressed in a way that would place it fittingly in the canon of “queer cinema.”

It’s been decades since the Pythons have been on the screen together, and even getting them all into the same room for an event has been a Herculean feat, but the group may come back together for Absolutely Anything – a movie written and directed by their very own Mr. Creosote, Terry Jones. John Oliver, comedian and writer for The Daily Show, is on tap to star in the film that sounds like the typical lunacy and lucidity of Jones. Apparently it features, “aliens, a goofy Brit, a talking dog and buckets of silliness.” It’s safe to assume that “buckets of silliness” is code for the buckets that contain Graham Chapman’s ashes.

Fans hoping that Terry Gilliam might have finally gotten The Man Who Killed Don Quixote off the ground can hang their heads in disbelief today. The director announced to Variety that financing fell through a month and a half ago. He’s still got Robert Duvall and Ewan McGregor on board, is dreaming the impossible dream, and he’s looking for more financing, so if you have a few spare bucks… If not, at least go watch Lost in La Mancha in mourning.

Ewan McGregor has replaced Johnny Depp in Terry Gilliam’s newest attempt to bring his film The Man Who Killed Don Quixote to life.

A post-apocalyptic future where the rantings of a divorced cab driver have become the basis for a major religion. Who wouldn’t want to see that on the big screen?

Kevin Carr sits his chubbiness down and sees if Daybreakers, Leap Year and The Imaginarium of Doctor Parnassus can make the grade.

Kevin and Neil ring in the new year after a band of gremlins attack the Magical Studio in the Sky and set fire to everything. After a brief rebuild, things get back in order and the Fat Guys take a moment to talk about the sure-to-be billion-dollar blockbusters coming out this fine, fine first week of January.

On this particular night of Fantastic Fest, at this particular secret screening, we witnessed something spectacular in The Imaginarium of Dr. Parnassus.

Sony is inches away from scooping up Terry Gilliam’s inventive flick, and they might even send it to theaters this year. Doesn’t it make you want to watch the trailer again?

A clip of Heath Ledger in his last performance was shown last night at Comic-Con, and it’s now online for everyone’s eyeballs to behold.

In order to help you keep all of the movie-related stuff straight, we’ve put together a list of the 13 must see movie-related events of Comic-Con 2009. So get out your pencil and your day calendar (the one with the kittens on it) and write down the following events.

It seems fitting that I was just spending the afternoon the other day watching several hours of behind the scenes features on my Blu-ray copy of Monty Python’s Life of Brian, as news from the Python camp today is that the gang is getting back together to celebrate their 40th Anniversary later this year.

In the wake of its appearance at the Cannes Film Festival this past week, three new clips from Terry Gilliam’s The Imaginarium of Doctor Parnassus have appeared online via the French site Comme Au Cinema.