Steve Martin‘s talents extend far beyond just stand-up comedy, acting, sombrero-wearing, and banjo-playing, as the multi-hyphenate has also dabbled in the writing world, including a swim with fiction with three novels (fine, “Shopgirl” was a novella). That first novel(la) was turned into a film back in 2005, and now Martin’s latest work of grown-up fiction will join it on the big screen. An Object of Beauty will be based on Martin’s 2010 novel of the same name, and the project is now getting outfitted with not only three producers, but an Oscar-nominated star. Amy Adams will lead the film as central character Lacey Yeager, as well as producing it alongside Maven Pictures producers Trudie Styler and Celine Rattray. There’s no word yet on the rest of the film’s cast and crew, including whether or not Martin will adapt his own book for the big screen (as he did with Shopgirl). Adams’ producer duties prove that she’s got more than just a passing interest in the role – which is of particular note, as the complicated character of Lacey is quite distant from the sunny, smiling image that Adams has cultivated over the past few years (The Fighter notwithstanding). Martin’s book focuses squarely on Lacey, a go-getter in the New York art world who starts off as a plucky intern at Sotheby’s, before some questionable choices (both in terms of career advancement and actual legality) force her to reinvent herself as a gallery owner. Told through the narrative voice of a male [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

I’ve found that this list comes up fairly often on the Internet – however every time I read one I’m surprised by how many redundancies they all share. While a few of said redundancies will also appear in the following (because sometimes you just can’t deny a good performance) I’m going to try and mix this up and give a you a few of my personal favorite and slightly less talked about non-funny roles some real funny people took on. Let’s get started with a picture of a pen jabbed into Jon Stewart’s eye.

Editor’s Note: As part of our week-long Guide to The Muppets, Gwen Reyes takes a look at one of the funniest, most intimate and lovely scenes from the 1979 classic. Setting the Scene: 1979 was a pivotal year for cinema. Not only did modern classics like Alien, Apocalypse Now, and Caligula (!!) make their way into local movieplexes, but in the summer a little green frog and his lovable band of merry men (and pig) leaped from American homes to the big screen. Thanks entirely to the popularity of The Muppet Show Jim Henson’s iconic Muppets were in high demand. Considering how Hollywood obsessed Kermit and company were on their TV series, it only made sense the first film in a long line of Muppet features would be about the crew’s showbiz aspirations. Intentionally self-aware, the film begins with Kermit (voiced by Henson) introducing the final cut of The Muppet Movie in a private studio screening room for all the Muppets we know in love. The camera bounces around from face to face, stopping at everyone from Fozzie Bear (voice by Frank Oz) to Miss Piggy (Oz). Kermit explains to his nephew Robin (voiced by Jerry Nelson) that the film is a loose adaptation of how the Muppets met and made their way to Hollywood—read: meta moment if we ever saw one. And just as Hare Krishna jokes become a running gag anytime says they are looking for direction, The Muppet Movie’s self-consciousness allows the audience to feel as if [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

What is Movie News After Dark? It’s a nightly movie news column that has no problem closing out another fine week of coverage. Why? Because it’s got a hot and heavy weekend planned with its new girlfriend, Siri. It even used her to book a quality hotel, make restaurant reservations and order adult party props. You know, just in case she’s into that sort of thing. We open this fine, crisp Friday evening with a shot of Ecto-1, the vehicle driven by everyone’s favorite guys to call if you is, in fact, afraid of some ghosts. It was captured by our friends at Primer Magazine at the Arclight in Los Angeles in celebration of Ghostbusters returning to theaters. It’s one of four original production cars used in the films, fully restored to its former glory. And glorious, it is.

This week, Fat Guy Kevin Carr gets ready to celebrate Halloween in style with some horror releases… and he’s not just thinking of Footloose. Unhappy with his life, he follows the bucket list path of Steve Martin, Owen Wilson and Jack Black, traveling to the bottom of the world where he finds himself in a small Antarctic town that has outlawed dancing. So Kevin takes it upon himself to help the people get their groove on only to discover they’ve been taken over an alien species that duplicate human form. Later, he takes a trip back to the heartland where he finds a feral woman chained in a cellar… pretty standard for some of the towns he’s been to. Finally, not being able to find a theater that is still playing Human Centipede 2 (Full Sequence), he checks it out On Demand and promptly throws up.

For those of us who are not predisposed to spend hours of our time spying on birds in a forest, birding aficionados can seem like an awfully strange lot. That’s not to suggest that their hobby isn’t understandable. After all, the satisfaction in finding a rare bird seems similar to the sense of accomplishment one feels upon finishing a difficult puzzle, or upon finally locating Waldo. Still, anyone who’s ever accompanied a birder on his mission knows that once the object of prey is spotted there will be a long, frenzied staring and photographic session, with any slight movement met with enthusiastic “oohs” and “aahs.” If you’re not of the niche birder community, this is an insufferable experience. So it’s hard to fathom why director David Frankel and screenwriter Howard Franklin imagined anyone would be especially entertained by a movie about it.

When Alec Baldwin and Steve Martin teamed up to host the 2010 Academy Awards, they had an easy chemistry and were generally pretty charming, but they didn’t exactly set the world on fire with a mind-blowing show. But then James Franco and Anne Hathaway teamed up to host the 2011 Awards and suddenly Baldwin and Martin look like geniuses. Because of this, and because of their continued chemistry on a recent episode of Saturday Night Live, Adam Shankman (the guy who produced Baldwin and Martin’s Oscar telecast) is trying to put together a movie starring the duo. It’s said to still be in the early stages of development, but it would be a comedy that borrows elements from movies like Trading Places and Grumpy Old Men. I guess that means Baldwin and Martin are now considered old guys. Sorry about your luck, gentlemen.

The worst thing that can happen this week in the world of DVDs and Blu-ray is for your mom to call you up and invite you over to watch It’s Complicated. After all, who wants to watch old people doin’ it with their mom in the room? So, grab a bottle of wine and get your three sheets to the wind before the real jumbly bits start to show up in this senior citizen rom com.

Merry Christmas from the Fat Guys! Kevin got Neil the gift of respect for just one episode, and Neil got Kevin the gift of seeing only one movie. The Fat Guys rip through the next Christmas movies, including Alvin and the Chipmunks: The Squeakquel, It’s Complicated and Sherlock Holmes.

Kevin Carr sits his chubbiness down and sees if Alvin and the Chipmunks: The Squeakquel, Sherlock Holmes and It’s Complicated can make the grade.

Alec Baldwin is randomly crying. Meryl Streep is a little bit of a slut. Steve Martin, still crazy. And writer/director Nancy Meyers is back again for another round of romcom

I come not to bury Pink Panther 2 but to praise it. Not from the hilltops or anything, but it’s not like I want to write an open letter to the filmmakers or anything.

Kevin Carr reviews the movies the studios didn’t allow him to see early this week: Pink Panther 2, Coraline and Push.

Neil finally returns to the Magical Studio in the Sky with stories from the land of milk and honey, otherwise known as the Sundance Film Festival. Kevin celebrates the return by berating him for only seeing one movie this week, although Neil defends himself because he saw 143 movies at the festival.

What is there to say really? Steve Martin has dueling personalities. One is a comedic genius responsible for films like Roxanne and L.A. Story, and the other has recognized the sizeable cash-cow that is the family film market.

On paper, this looks like a nice teaming. Alec Baldwin is a great actor, and I don’t care if he’s beating his kids with aluminum trash cans. Steve Martin, well, that’s another story.

When you really think about it, how can you not be a big fan of Don Cheadle — the guy is a slice of awesome with a side of amazing.

My greatest fear for Baby Mama was that it would end up being another incarnation of The Brothers Solomon, but with women. Thankfully, Tina Fey and company are smarter than that, and Baby Mama turns in a surprisingly good showing.