Tonight on Movie News After Dark, Community is dead, the documentary is better, AMC is making sci-fi shows now and filmmakers are having their films taken away for no good reason. Everything is a mess, but we’ll sort it out together.

This week, our Video On Demand Power Ranker Supreme 3000 has been a little viral and under the weather (we told him to be careful when going on robot dates, but he says he loves and trusts Siri, and we think she gave him robot-mono) so it’s not exactly a quantity week. That said, with directors like Quentin Tarantino and Terence Malick leading the way, it sure is a quality week of VOD and digital releases.

This is the month we’ve been building towards ever since the start of 2013. This year was made for this month. Why did the Mayans postpone their destruction of our dear Earth? So they could see what Michael Bay‘s small movie was like. Pain and Gain is his first non-Transformers movie in nearly eight years, and it’s about time the Mayans and the rest of us saw it. That Hasbro series had its moments, but not in the way The Rock and The Bad Boys films did. Pain and Gain looks to fit into that half of Bay’s career. Summer comes early with his dark, ‘roided up comedy, and the same can be said for the movies we’re seeing from Danny Boyle, Shane Carruth, and Joseph Kosinski. In fact, Kosinski’s Oblivion is the only blockbuster on the list. April is shaping up to be a huge month for smaller movies.

If Antonio Campos‘ Simon Killer didn’t, oh, have the word “killer” in its title, the film’s first trailer – a stylish and slick little diddy – would be far more interesting. As is, it’s two minutes of us wondering, “well, just when is this guy going to kill someone?” We’ll spare you the waiting - Brady Corbet doesn’t kill anyone in this trailer, but he does wander around Paris and go to a ton of dance clubs (watch those strobe lights if you’re light sensitive) and try to cure a supposedly broken heart by way of plunging into a relationship with a sexy prostitute (Mati Diop). Campos’ film first premiered way back at last year’s Sundance Film Festival, where it divided critics left and right. Is it a finely nuanced character study with major bite? Or a gaudy little trifle that takes itself far too seriously? We’ll all just have to decide later this year, when the film finally hits theaters, thanks to IFC Films. At the very least, Simon Killer could become infamous for strobe-induced in-theater pass-outs. Get out your glowsticks and check out the first trailer for Simon Killer after the break.