Shrek

This week, Fat Guy Kevin Carr puts on some 3D glasses to look at some puss… in boots, that is. He proceeds to rewrite fairy tale fiction to include more bodily function humor, an egg-shaped Zach Galifianakis and a hairy but still sexy Salma Hayek. Then, he heads to the reference department of his local library to discover who really wrote the complete works of William Shakespeare. When all signs point to Neil Miller as the real author, Kevin gives up, realizing he’s out of time. So he brings sexy back and heads out to kidnap Amanda Seyfried so he can occupy Hollywood and start a revolution together… or get arrested.

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The tale of Puss In Boots is not all swordplay and adventure-seeking, Puss is also a lover (yeah – it gets a little weird) and his boots were not just made for walking, they were made for dancing too. From the opening guitar riffs, Puss In Boots has a frenetic energy that keeps the story moving and reminds you that beyond the innuendos and back-story, Puss truly is (and will always be) an adventurer at heart. Composer Henry Jackman (Winnie The Pooh, X-Men: First Class) takes the reigns for this spin-off (the previous Shrek films having been scored by Harry Gregson-Williams) creating a Latin-infused score that also utilizes full-bodied orchestration to keep the feel and sound of a grand adventure. Jackman has created a score that is reminiscent of classic animated features with the music underscoring the action on screen. The music swells as the group takes off on a chase (“Chasing Tail”) and tip toes as they are trying to sneak around undetected (“Kitty-Cat Break-Out”). But Jackman’s score also feels very modern and keeps up with the 3D animation featured on screen. Puss (Antonio Banderas) is a Spaniard (naturally) and as such, the score features Latin guitars and percussion you cannot help but tap your feet to. To create the authentic Latin sound, Jackman tapped Mexican guitar duo Rodrigo y Gabriela and their impressive guitar playing is featured on “Diablo Rojo.” The music is infectious and causes you to feel torn between wanting to duel, or dance. But have [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

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Finally, a supporting character from the Shrek franchise who earned their chops the hard way, enduring arduous animated battles and even more arduous stunt voice casting, has gotten a film of their very own, a fuzzy family affair that will make the whole brood giggle. No, sadly, it’s not those adorable flying Donkey-Dragon babies (trivia! Wikipedia tells me they are named Debbie, Coco, Bananas, Peanut, Parfait, and Éclair), but it’s Dreamworks’s own answer to “what would Zorro be like if he was, stop me if you’ve heard this one before, actually a cat?” That’s Puss in Boots to you, amigo. Antonio Banderas returns to the role he originated, a Zorro-meets-French-fairy-tale feline famous for stealing both bullion and babes. But what if Puss was, gasp, not a criminal at all, but a misunderstood kitty desperate to return to the mother he loves, a innocent cat framed for a crime he didn’t commit, a bipedal boot-wearing bad boy who is quietly concealing a heart of gold? What if then? Well, you’re about to find out.

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You’d think my walk home from Rango, a movie that consistently kept me laughing like a madman for two hours, would be one of elation and knee-slapping fun memories. Not so. As my laughter subsided, I realized — man, I just saw an animated movie that centered on a sociopathic lizard who takes a contemplative, hallucinatory look inward to discover his true calling in the world. Whoa – suddenly that fart joke had a lot more resonance. There are universal questions everyone asks themselves at some point in their lives. Ideas, complications, internal debates that spring out of existence and challenge us as individuals. Some turn to spirituality. Others take back packing trips through difficult-to-pronounce regions of the world. But after watching Rango and looking back through a lengthy history of Hollywood’s animated films, I wondered: why not turn to cartoons?

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Fat Guys at the Movies

Kevin gives his lukewarm review of the new Shrek movie while Neil shows some 80s action movie love for MacGruber! The Fat Guys also promise to play a listener voice mail, then reneg on that promise (they’re awesome like that), then take a look at the gruesome and controversial Human Centipede.

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This is it, folks. The weekend we’ve all been waiting for. The answers are finally going to be revealed to the world. Is Donkey really the smoke monster? Who will Fiona choose between Shrek and Puss in Boots? Will Lord Farquaad make a surprise appearance at the last minute and take out everyone with sticks of dynamite lifted from the Black Rock? All of this and more will finally be answered in the final installment, Shrek Forever After.

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ZachGalifianakisPussinBoots

The beard enthusiast (and sometimes actor) is in talks to voice Humpty Dumpty. Beats getting high and agreeing to G-Force.

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Who needs a $100 million weekend? Not Hollywood, says Kevin Carr.

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Puss in Boots in Shrek 29

We decided not to make the headline: Writer Steps into Puss’ Boots or some variation thereof because every other outlet is doing that.

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The Dark Knight continues to burn up the Box Office

The Dark Knight has passed $400 million domestic in 18 days, a feat that took 2nd place Shrek 43 days to accomplish.

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The Ten Cutest Animated Couples in Movie History

Over the years, there have been quite a few cute animated couples, and these are the ones that top the list.

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Kung Fu Panda Preview

With the release of Kung Fu Panda, Jack Black becomes just the next in a long line of comedic talents, both stand-up and otherwise, to take the lead in a major animated film. So how does he compare to others who have come before him?

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Mike Myers to play Keith Moon

Guru Pitka foresees Mike Myers will be a rock god. That is all. Mariska Hargitay!

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published: 02.12.2012
SF IndieFest
published: 02.12.2012
B-
published: 02.11.2012
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