Sarah is in jail, facing FBI prosecution. John and Cameron are holed up in a seedy motel, waiting for things to blow over.

John discovers that Savannah Weaver is a target of a Terminator. John Henry detects the threat and tries to lead Savannah to safety. When the Garbage Terminator learns her daughter has been kidnapped, she enlists the help of both John Henry and Agent Ellison to track her down.

In order to keep John safe, Sarah calls on an old friend – former boyfriend Charley Dixon – to keep him in a safe house. Meanwhile, John Henry finds himself in peril when an unknown entity sends a message through the security measures and possibly trips his original programming.

Sarah is having trouble sleeping after killing the man at the warehouse. She checks into a sleep clinic to help her cope, but soon she fears that she is the center of an experiment by Skynet to map her brain.

Sarah and Company attend funeral services for the families who had loved ones that died in the mysterious warehouse explosion. John follows the lead of a father who has disappeared after the explosion while Sarah befriends the widow of the man she killed.

Sarah and Cameron are hot on the track of the people they believe have The Turk. Meanwhile, John is still pining over Riley, who receives a visitor that explains some secrets. And Agent Ellison works with the Garbage Terminator to interview a growing artificial intelligence.

It’s no surprise to anyone reading this that I have been awfully critical of this show in season two. However, once we got past the nightmare elements, this episode shaped up rather nicely.

In the grand style of Vantage Point, The Sarah Connor Chronicles tells this episode’s story from multiple points of view. John (Thomas Dekker) runs off for the weekend with Riley (Leven Rambin) and ends up in a Mexican jail.

Sarah and company come home to find their house has been robbed. And John whines a lot.

This episode kinda makes me wish that Michael Biehn hadn’t made the jump to the past in 1984, fathering what might be the biggest panty-waste in future resistance history.

A new Terminator comes back in time to hunt a key member of the future resistance. When Sarah figures this out, she sends John and Derek to protect the target while she and Cameron help save a young boy with the same name.

Another programming glitch sends Cameron (Summer Glau) on a cyber-psychotic bender.

This episode uses the symbol of a mousetrap to show how the Terminators always seem to be one step ahead of our heroes.

The second season of The Sarah Connor Chronicles is set to answer the question, “How many Terminators is too many?”