The 23rd James Bond movie is going to be called Skyfall, perhaps the most un-Bond name of any Bond film. Not even a hint of noir poetry to it, but when it comes to Bond, this is just a small piece of the puzzle. According to Coming Soon, who hit up a press conference in Britain, the movie’s plot will be separate from both Casino Royale and Quantum of Solace, but it will still get personal in its own way. A synopsis from the press release reveals, “In Skyfall, Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.” All the new information is comforting, considering the uncertainty the project went through with the financial struggles of MGM. That must seem like eons ago for Sam Mendes, Daniel Craig, Dame Judi Dench, and the rest of the cast which started filming today. And now, as fans, we wait. Skyfall will hit theaters across the pond in October 2012, and we’ll see it almost exactly a year from now in November.

The sprawling, globe-hopping James Bond series is not only about to celebrate its 50th anniversary, it’s about to commence filming on its twenty-third film. That’s a lot of spy shenanigans, so it makes sense that, at this point, the movies are going to have to start recycling some locations and scenarios. MI6 is reporting that, to that end, the Bond franchise will be revisiting the city of Istanbul, Turkey to film scenes for the upcoming movie’s big opening sequence. Mr. Bond has already visited Istanbul in From Russia With Love and The World is Not Enough, so this will be his third go-around with the city. Locations used are said to include the city’s historic Sultanahmet Square as well as the waterside and shores of the Bosporus. Add this opening in Turkey with a train sequence to be filmed in India, and the logistics of this Bond film are starting to take shape, just in time for filming to begin in November. Another big piece of that Bond puzzle, in addition to where he will be traveling, is always who the sultry young starlets playing opposite 007 will be. Another report, this one from Twitch, sheds some light on that subject as well. They say they have word that French actress Bérénice Marlohe will be the latest lady to join the ranks of the Bond Girl army. Marlohe has mostly done television to this point, so I’ve never seen anything she’s been in; but her name gives us enough information

Daniel Craig and the James Bond 23 crew are hoping to film a big train stunt in India come this February, but they’ve hit a stumbling block in the form of some red tape being put in front of them by Indian Railways. You see, how the scene was originally written in the script, Bond would have been jumping a motorcycle onto the top of a moving train, scattering a group of people who were riding illegally on the train’s roof, and then jumping to another car that was equally packed with freeloaders. Indian Railways has a problem with this, because they don’t want rooftop train riding encouraged, and they don’t want India being portrayed as having a problem with rooftop train travel. When talking to Agence France-Presse, Indian Railways Minister Dinesh Trivedi was pretty straightforward about the matter, “Rooftop travel is illegal in India and it cannot be encouraged.” He also argued, “There are many trains in India and not all trains have people traveling on the rooftops.” Of course, taking the people off of the roof isn’t a big deal, and director Sam Mendes and crew have already agreed to film the scene with a clear roof instead; but might this not be the end of the problems the film will face trying to shoot in India? Shooting is scheduled to take place starting in February and lasting through March in Mumbai, Ahmedabad, and Goa, and they’ve already let officials change one of their scenes. Now that they’ve

It’s been rumored for a while now that Javier Bardem would be playing the villain in the next installment of the James Bond franchise, but that production has been through so much turmoil that it was never a given. Recently, things seem to finally be more official. Director Sam Mendes is on board, things are moving forward, and the film has a solid release date of November 9, 2012. And perhaps because things are finally chugging along for real on the film, Mendes has decided to spill a little bit of info on the casting process while chatting up The Telegraph. Perhaps the biggest news is that he confirmed that Bardem will indeed be in the film, and that he will most certainly be playing the bad guy. Bardem, of course, won an Oscar for his portrayal of iconic screen villain Anton Chigurh in No Country for Old Men, so seeing him put on the villain’s cap in a franchise as big as Bond, and opposite a Bond as dynamic as Daniel Craig, should be a real treat. The other casting announcement that Mendes let loose is that Rhys Ifans will also be joining the cast. He didn’t disclose what sort of role Ifans would be playing, but I don’t think that matters so much, as everything I’ve seen him do he has done exceptionally well. The Telegraph dropped a bit of trivia by pointing out the Ifans and Craig had already appeared together in the 2004 film Enduring Love,

If Bond movies are known for anything, it’s probably their sexy ladies and over the top action. But if they’re known for anything else, it’s got to be globe-hopping adventure. It seems appropriate, then, that reports are coming in about location scouting for Sam Mendes’ upcoming 23rd film in the franchise. According to sources in Mumbai, at least part of Bond’s newest adventure is going to take place in India.

What is Movie News After Dark? It’s a nightly column about movie news. It will not try to sew your face to someone else’s butt. It will, however, make your hind quarters sore. So give yourself over to it — it will be gentle, at first. Fox’s upcoming Planet of the Apes prequel, previously titled Rise of the Apes, has been retitled to give it that ole’ familiar ring. It will now be called Rise of the Planet of the Apes, which should hold until they can figure out a less concise way to title it. Either way, it’s got James Franco, so I’m seeing it.

Modern romance and the movies are arguably dependant on one another, as movies have a long history of affirming the idea(l) of the perfect relationship. Hollywood movies in particular have developed a mastery at the formula of bringing imperfect individuals together into perfect couplehood and framing marriage as the closure of all previous conflicts and difficulties. Many romance movies, thus, teach us what romance and couplehood are or, perhaps more dauntingly, what it should be. That romantic films are a staple in the box offices of commercial movie theaters to reparatory screenings or are marathon’d on television every Valentine’s Day is evidence of our ritual association of considering real-life romances in fictional terms. It is rare that movies, especially Hollywood, seem to do the opposite: reflect the distinction between ideal romance and the ostensible “reality” of relationships in all their complexity, grittiness, slow development, necessary problems, and (most of all) subtlety. Perhaps the most evident turns cinema makes in this direction is in the break-up movie, that rare narrative that situates itself as a disruption from the normal mode of portraying couplehood through representing its antithesis, the dissolution of a couple. The most recent example is Blue Valentine, the great Cassavetes-style, character-driven psychodrama about a couple who continue making the wrong turns and can’t make it work despite, or because, of themselves. Breakup movies from the light – (500) Days of Summer – to the heavy – Blue Valentine – often self-consciously (either by testament from the filmmaker like in

MGM’s financial woes did a number on a handful of films that audiences were truly looking forward to, and with The Hobbit coming together so nicely (and yet, mostly without MGM), it seems as if the time is right for the next Bond installment to start heading down the pre-production path again. The Hollywood Reporter has reported in the barest sense possible that Daniel Craig will return as James Bond for the 23rd film, directed by Academy Award winner Sam Mendes, and written by Bond veterans Neal Purvis and Robert Wade alongside Academy Award nominee John Logan. The movie will shoot later this year, and attempt to toast martini glasses on November 9, 2012 for a release in everyone’s neck of the woods. All I can say is, it’s about time. Sam Mendes is an amazing talent, and his version of the spy is sure to be something intimate and heartbreaking. Of course, we’ll be planning a list of our favorite twenty-thirdquels in anticipation.

This past weekend saw the cinematic glory of Resident Evil: Afterlife pushing past security to get into your local theater even though it was moving slower than an instant replay in a curling match. The absolute atrocity of this film raises a lot of questions, but one of the first and foremost is whether or not directors should work with their spouses in a leading role. Paul W.S. Anderson, who thinks Milla Jovovich is as big an action star as Sigourney Weaver, is also married to Milla Jovovich, and while we can’t prove causation for the low marks in her performance here – we can certainly point to correlation. We can also point to 9 more husband and wife teams in order to find out if working with your legally bound significant other is really such a great idea.

Road to Perdition (2002) This is the life we chose, the life we lead. And there is only one guarantee: none of us will see heaven. Synopsis In the world of Prohibition and mob-ruled financing, there are none more threatening than the enforcers who come to collect. Michael Sullivan is one such man. He is a hit man for Irish mob boss, John Rooney, a man he serves loyally almost as a son. Sullivan’s family stay separate from his nights of enforcement, but, when his oldest son, Michael Jr., witnesses a murder by Rooney’s biological son, Connor, the tables turn on Michael Sr. He takes his son away, and the bond they form on the road becomes just as strong as the revenge building up within the wronged hit man. Why We Love It Director Sam Mendes broke onto the scene of feature film making in 1999 with American Beauty. He had directed a few TV movies before that, but his stamp was made as soon as American Beauty got its release. It won Mendes an Academy Award for Best Director, and amazing feat for any director on his first theatrical film. Three years later, he would return with a film that many consider an underrated gem and even more consider Mendes’ best film to date.

Another director has tossed his hat into the ring alongside Sam Mendes to direct Oz the Great and Powerful. Disney, choose wisely.

What Sam Mendes might be doing when he should be directing Preacher.

EON Productions partners Michael G. Wilson and Barbara Broccoli, the producers of the James Bond franchise, announced today in a press release that they have suspended development on the upcoming Bond 23. Sad times, indeed.

Things are rolling for Bond 23. Daniel Craig is still in the role of James Bond, director Sam Mendes has come aboard to lead the next installment, and assuming MGM doesn’t implode financially, the movie may actually get made. Time to move on to the nitty-gritty details of story and setting, and our most beloved part of the pre-production process: casting rumors.

here are Bond girls — like Ursula Andres or Honor Blackman — who are more memorable than some of the men who played Bond. Seriously, does anyone even remember George Lazenby at this point? So it goes without saying that the selection of the latest Bond girl is big news. And today it looks like we’ve got big news.

James Bond may be heading to the most dangerous place of all… the suburbs.

This week’s Culture Warrior is getting its bunker ready for Y2K.

This week’s Culture Warrior gives an exhaustive review of the decade that you won’t find anywhere else on the Interwebs.

John Krasinski and Maya Rudolph star as a young couple just trying to find a place to raise their soon-to-be-born offspring. And we’re starring as the website who wants you to see it for free…

This week’s Culture Warrior tries to figure out what common theme connects five films made by one of our most talented contemporary filmmakers. From American Beauty to Away We Go.