An evil wizard named Flagg seeks to subvert the Kingdom of Delain by placing a monarch in power that will listen to his every whim. With King Roland’s two sons – Peter and Thomas – Flagg sees an enemy to fear and a child to manipulate into the tool of destruction he needs on the throne.

Neil is still off galavanting at Sundance TwentyTen, so Kevin welcomes Merrill Barr from The Film Stage to the Magical Studio in the Sky to talk about Edge of Darkness and When In Rome.

The actor and Evil Twins producing partner talked with us about his latest flick (in a very busy year) and about the crazy family that made him who he is today.

An action film asks a great question: if your family were killed and justice wasn’t served, would you go buy a bunch of power tools?

In Boston, the only city in America with corruption and crime, a policeman’s daughter is shot right in front of him, so he tracks down answers and sets to ass-kicking.

This week’s Foreign Objects takes a look at one of the best revenge films ever made, one of the few films guaranteed to be on any list ranking revenge movies… heck, I can’t even imagine someone putting together a Best Revenge Film list without this one ranking fairly high. Yeah. That’d be crazy.

Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… Austria!

Does penis violence make you queasy? And I don’t mean violence committed by penises, but violence committed against them. Punches, drill bits spinning Candiru-style up the urethra, or tri-hooked fishing lures pierced through a guy’s dongle then yanked… if so, then you just may want to skip the new Australian film, The Horseman.

Steven Spielberg is apparently in the process of acquiring the remake rights for Dreamworks, in the hopes of directing the film with Will Smith as the star.

Brian Cox delivers a strong performance in this low-budget revenge film, but it stumbles on production value.