Racism

“There becomes this idea, this narrative that says, ‘Well, it’s going to be 13-30-year-old white men which is the target. Because we want to open.’ Because everyone makes their money opening weekend. Well that’s actually not the audience. There is an audience for all of this. We’ve just forgotten it.” That’s George Clooney discussing the condescension inherent in the mindset of some executives in the studio system. His comment comes after a question to newly minted double Oscar nominee Viola Davis (The Help) is asked in the Newsweek Oscar roundtable why this is her first starring role. The answer? “I’m a 46-year-old black woman who really doesn’t look like Halle Berry, and Halle Berry is having a hard time,” said Davis. A clever turn of phrase underlining the reality that there are few roles for women of a certain color and a certain age. It’s certainly a complex issue with any number of historical, social and artistic causes, but the numbers are certainly there.

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With the entire original run of The Twilight Zone available to watch instantly, we’re partnering with Twitch Film to cover all of the show’s 156 episodes. Are you brave enough to watch them all with us? The Twilight Zone (Episode #146): “I Am The Night – Color Me Black” (airdate 3/27/64) The Plot: A whole lotta racism goin’ on. The Goods: On the morning that a man called Jagger is to be hung for murder, the darkness of night never turns into day. As if to weigh in on the wrongful judgment by a bigoted town, the universe has kept the light out of their city limits. But why? What’s at the center of it all? As it turns out, it’s John F. Kennedy.

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Why Watch? Because this is a prime example of a student short film. The challenge of short filmmaking is telling a complete story in the time it takes to microwave a Hot Pocket. Fortunately, that challenge isn’t exacerbated by having to actually eat a Hot Pocket. The key is often making the concept as simple as possible. With this short, two men show up to a house, and things are never the same. It’s as simple as that, but the framing, family, and instant ethical recognition of the situation help make it something more. In the effort of full disclosure, this film was directed by weekly contributor to the site, Matthew Patches, and there are a few flaws with it. The older man that comes to the house, for instance, acts like he’s just learned to read. As far as student shorts go, though, that only helps to point out the limitations placed on young moviemakers, and how they’re overcome by keeping things simple. What Will It Cost? Just 5 minutes of your time. Does it get better any better than that? Check out Alone for yourself:

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What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this shit late at night, what do you expect?

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OAM-SongoftheSouth

Normally I’d be selling you on how an ancient movie is still enjoyable today or that a modern audience can still be moved by pictures made over half a century ago, but I’m not so sure Song of the South really deserves all that much praise for its own artistic merit.

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sm-transformers2-head

Now that everyone on the planet has had a chance to see Transformers: Revenge of the Fallen, to make hilarious YouTube videos calling out Rob Hunter’s review of it, and to send us emails about us covering the film too much – we’re covering it EVEN MORE. What happens when two Rejects disagree this strongly? Get angry and find out.

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published: 02.12.2012
SF IndieFest
published: 02.12.2012
B-
published: 02.11.2012
Berlin Film Festival
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