As many fellow conflicted yet faithful Netflix subscribers know, last week marked the beginning of the separation of Instant and disc-only memberships. I had been trying to whittle down my streaming queue for a few months, but we all know that is a nearly impossible task with that devilish recommendation list appearing every time you go to the site’s homepage. Suffice it to say, my queue had actually grown since the announcement, making the budgeting decision for me. One of the films at the top of my queue was 2010’s long-awaited gay love story I love You Phillip Morris starring the forever not-sexy Jim Carrey and the always delicious Ewan McGregor as two convicts head-over-heels in love with each other. I could spend an entire column writing about this rapid, surprisingly honest and tender romance sprinkled with deception and humor, however my greatest take away from this man on man sexiness was the unexpectedly hot chemistry (and subsequent love scenes) between Carrey and McGregor.

So much potential and so much promise… and yet so much blandness. I had been trying to stay as hopeful as one could when it came to Green Lantern. Even after Neil – who I usually think is spot on when it comes to his criticisms – posted his review, I still held on to what little optimism I could maintain. “Perhaps Green Lantern would be this summer’s G.I. Joe, a film that is so cartoonish that you just can’t help but to laugh with it,” I thought. But, boy, was I wrong. Green Lantern is no laughing matter. Green Lantern + The guy who reinvented Bond twice + Reynolds’ mojo + Great Sarsgaard + Potential for Space Battles + Mark Strong as Sinestro = what should’ve been a real event film. Wha happened?

As Kermit the Frog once famously said, it ain’t easy being green. The same could be said for modern superhero films and comic book adaptations. It seems a daunting task when you really think about it, the notion that you’re entering into one of cinema’s most expensive endeavors, yearning to please its most incredulous audience while trying to carry the mainstreamers along as well. In some instances, as is the case with Green Lantern, you’re task is to bring a wide audience up to speed on a complex, rich and intensely alien mythology. It ain’t easy. So as an audience, when we see a film like Green Lantern, one that does so much of the most difficult stuff right, but gets almost all the easy stuff wrong, it can be the most entertainingly frustrating experiences of our summer. The whole thing smacks of 2006, when a passionate superhero auteur named Bryan Singer gave the world a lavish, modern version of the Man of Steel in Superman Returns. The things he got right in his pursuit of faith and glossy nostalgia were dazzling. The visual effects were seamless, the world’s hardest working alien was truly spectacular in flight and feat. But when it came down to the most basic elements of storytelling, the parts where we get to human emotions like love and longing, all the personality of a once dynamic character appears to have been sucked out by a cosmic force. Left in its wake was emptiness. Green Lantern suffers, [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

This week, Fat Guy Kevin Carr dresses up in green and black spandex and parades around town telling people that he is a superhero who can create anything out of sheer will. Of course, it seems that the only thing he’s able to create is an ever-growing arrest report. Later, Kevin takes a trip to his local zoo where he sneaks into the penguin habitat in order to forge a bond with these flightless birds. Unfortunately, the penguins don’t take too well to him and peck him to near death, leaving Kevin to skulk away to the local movie theater in order to catch a double feature of Green Lantern and Mr. Popper’s Penguins.

This week, on a very special episode of Reject Radio, Movies.com‘s John Gholson offers a primer before we all go see Green Lantern, and lead creature designer for the film (and Super 8, Avatar, and many others…) Neville Page talks about creating aliens. Plus, our very own Matt Patches faces off against UGO‘s movies editor Jordan Hoffman in a Movie News Pop Quiz that’ll be one for the books. We follow it up with a Green Lantern review, so stick around. Listen Here: Download This Episode

Big news out of Cannes, a bunch of people are getting together and they’re going to make a movie. Very Good Girls is noteworthy for a couple reasons. Mostly people will probably be interested in it because it’s starring Elizabeth Olsen and Dakota Fanning, who are cute young girls. But also, some other folks might be interested to hear that a pretty substantial crew of talent is supporting the two PYTs. Peter Sarsgaard, Dustin Hoffman, and Sissy Spacek are also signed on. You know who they are I’m sure. And most people have caught wind of who Fanning is by now, especially since she’s been in those gigantic Twilight movies. But what about Olsen? She’s become kind of an it girl recently, as she appeared in Martha Marcy May Marlene and Silent House, which both debuted this year at Sundance. In the past few months I’ve gone from having no clue that there was a third Olsen sister, to hearing Elizabeth’s name mentioned all over the place, so I’d say that she’s one to watch.

The super hero news and pictures are falling from the sky like the black snow just before a Fire Nation attack, and it probably won’t end until four or five months after these movies have all come out. The next to send out a new image is The Green Lantern – and the production has provided a non-blurry look at the receding hairline and giant cranium that Peter Sarsgaard is sporting as Hector Hammond. Check it out for yourself:

Martin Campbell’s Green Lantern is DC’s big hope at finally being invited to the adult’s table alongside Marvel, so a lot is riding on this particular green superhero. Hal Jordan (Ryan Reynolds) is a test pilot who fantasizes about The Last Starfighter and wishes a colored alien would come to take him away. His prayers are answered… kind of… and he finds himself in possession of a very special secret decoder ring and a destiny to help defend the universe. Along for the ride are his highly unbelievable pilot buddy Carol Ferris (Blake Lively), his slightly more believable bespectacled friend Thomas (Taika Waititi), and evil scientist Hector Hammond (Peter Sarsgaard). Can Jordan become the hero the universe needs?

In August, I was fortunate enough to trade the heat of Arizona for the heat and humidity of Louisiana in order to visit the set of The Green Lantern starring Ryan Reynolds, a ring that makes him powerful, Mark Strong, Blake Lively and Peter Sarsgaard. I can’t say much about the visit yet (because of the court order), and I wasn’t the only one there (which is why they added “conspiracy” to the charges), but the set visit did yield a ton of really cool information about the film, and FSR will be delivering it straight to your brain like no other site can. While you wait on pins and needles awaiting all that comic book goodness, check out these two pieces of concept art that you’ll only see here (and several other websites). They both feature the design of Oa – the planet where the Green Lantern Corps makes its headquarters – and they’re both worthy of hanging up on your wall next to your poster for The Last Starfighter: The Musical. Don’t let evil or these concept pieces escape your sight, and remember to click to make the images much, much bigger:

Earlier today I was reading CHUD, where Devin Faraci cited Warner Bros.’ upcoming superhero flick Green Lantern as one of the “losers” of Comic-Con, with the film’s lack of footage bested by superhero counterparts from Marvel, namely Thor and Captain America. And while that is an interesting sentiment, and one that I’m sure doesn’t come only from Faraci, I’m still holding onto the excitement around Green Lantern. Call it a product of my Comic-Con absence, but I will continue to hold this film as one of my most anticipated 2011 releases. Mainly because it is well cast, has been placed in the hands of a more than capable director, and the script reads like something balanced with the pace of Jon Favreau’s Iron Man and the visual promise of J.J. Abrams’ Star Trek. And that’s one hell of a one-two punch. I’m still excited. And you should be, as well. Especially when you click through the jump and find a few lovely new teaser posters, which were released today by Warner Bros.

With the release of the nearly dismissible thriller comedy Killers (the one with Ashton Kutcher and Katherine Heigl) coming up this Friday and Lionsgate not screening it for critics, bloggers or the like, we need something to talk about. So we’re talking a film with a very similar premise — James Mangold’s Knight and Day.

The first images from the Louisiana set of Warner Bros.’ Green Lantern have been slowly seeping their way onto the web. And while the world will have to wait until post-production to see what Ryan Reynolds looks like as the ring-bearing superhero, we are getting a look at what the film’s villain — or at least one of them — will look like.

Whomever plays Kurt Cobain, has to be Kurt Cobain. Some actors can get away with a less than passing resemblance with the strength of their performance, but Robert Pattinson is not him. However, here are five actors who might be able to do it…

It isn’t exactly news about the destruction of a major comic book franchise, but this little tidbit will do for a rather boring afternoon.

Have you seen anything this year worthy of next year’s Oscars? If so, what? What do you think should get nominated? Who should win? Bethany Perryman wants to know.

Another trailer for An Education is online daring people to rebel in a polite sort of British way. Between the difficult and boring, and the easy and fun – which do you choose?

There’s a twenty-minute stretch towards the end of Orphan that may just knock you out of your seat. Unfortunately it will probably be due to gigantic waves of laughter rolling up from your gut in reaction to what you’re hearing and seeing onscreen. This is probably not the effect the filmmakers were hoping for because of course… Orphan is supposed to be a horror movie.

Sony Pictures Classics has released the first theatrical trailer for Lone Sherfig’s period drama An Education, and in it we see the bright shining star that is Carey Mulligan.

Perhaps this year’s most buzzed about Sundance movie, director Lone Scherfig’s period drama accomplished more than few things during its Sundance ’09 run. First and foremost, it was one of the most well-executed period films of the festival, bringing to life 1960s Britain in a very authentic way. It also introduced us to a brilliant new talent named Carey Mulligan.