To classic horror fans, the word “hammer” does not simply denote a tool or a now defunct 80s rapper, it is a six-letter seal of excellence. For years, Hammer Studios reached into the cache of our collective nightmares; resurrecting boogeymen theretofore romanticized in black and white and splashing them onto our eyes in savage, gorgeous technicolor. Their treatment of the likes Dracula, the Mummy, and Frankenstein’s monster not only reacquainted us with monsters, but introduced us to silver screen legends such as Christopher Lee and Peter Cushing. After experiencing a popularity that made them a powerhouse, the studio seemed to have whispered meekly out of existence after a short-lived television swan song in the 1980s. But now Hammer Studios is poised, like so many of its signature villains, to rise from the dead with several new films released in the last few years and others currently in production; the newest being the upcoming The Woman in Black starring Daniel Radcliffe. In apparent celebration of this resurgence, the official Hammer historian Marcus Hearn has plundered the hallowed Hammer archives and come out with “The Hammer Vault.” This book is an epic, glorious catalog of some of the studio’s greatest marketing materials, behind-the-scenes photos, film props, and other artifacts of enormous cinematic significance. It turns out the only thing that ever managed to rival the dark beauty and grandiose gothic tone of Hammer’s films was its marketing for those films. The book is an absolute triumph not only for fans of the [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

Every Sunday in October, Old Ass Movies will be teaming with 31 Days of Horror in order to deliver a horror film that was made before you were born and tell you why you should like this. This week, Old Ass Horror presents the story of Dracula as seen through the beautiful, blood-filled eyes of Christopher Lee, Peter Cushing and the entire Hammer Family. Synopsis: Retitled for American consumption as to avoid confusion with Tod Browning’s Dracula, this is a straightforward adaptation of Bram Stoker’s original novel that became the basis for so many movies. Jonathan Harker (John Van Eyssen) is turned into a vampire by the vicious Count Dracula, but when Doctor Van Helsing (Peter Cushing) goes to investigate, he finds the fiend has already fled his castle and is headed to inflict more pain on Jonathan’s family by attacking his fiance.

From the late 1950s through the mid-1970s, Britain’s Hammer Films made an indelible mark on the landscape of horror movies. These films bridged the gap between the rather tame films of the 40s and 50s to the more visceral, violent faire of the 1970s and beyond.