Over the last month, many critics and even its creators have been citing Showtime’s new series Homeland as the first “post-post-9/11 program” as it deals with the issue of what to do now that the biggest threats of the last decade have been eliminated. It’s hard to say if that’s truly the case, but for now it would be fair to say that Homeland is the first legit espionage show to appear on the small screen in years. Legitimate in that this is a very realistic portrayal of what the word ‘espionage’ means. Webster defines it as “the practice of spying or using spies to obtain information about the plans and activities especially of a foreign government or a competing company.” It doesn’t make mention of aggressive tactical operations, shootouts, explosions, fist fights or kick boxing matches. The verbal form of spying, no matter the definition one uses, refers to the basic act of observing, not fighting. So much of what’s portrayed in television and film of the spy world is focused on offensive measures, often times meant to be interpreted as defensive counter-measures. But, in Homeland that concept is reversed, and to great effectiveness. Rarely do we get to see the truly defensive measures that are taken on U.S. soil and what our intelligence community’s response is when we are the foreign entity being infiltrated.

Chad reports from the Peace Ambassador Center as 100 diplomatic visas are being issued to the first wave of American Visitors, with Anna getting the 1st, but not everyone agrees with the decision.

An image of Anna, the leader of the V’s, is projected worldwide as she speaks about everyone joining together and no longer being divided by country or separated by fear. That’s where it begins…