This week’s entry into the world of Blu-ray punditry is sponsored by the letter W, as in WTF. For those following along at home, that’s the internet acronym for “what the f**k?” It’s usually accompanied with a grammatically incorrect smattering of exclamation marks and a comment about how we should all start building an Ark. Quick, someone grab all of the typing cats. We wouldn’t want to lose those in the flood! Yes, this week is bringing about the apocalypse for plenty of reasons: horror movies that make me want to take a shotgun up the colon, dramedies that use David Bowie in strange ways, a Pam Anderson movie that doesn’t take place on a boat, the birth of internet porn and plenty of rape. WTF, indeed. Barb Wire This week’s big pick should be exemplary of the week as a whole. Because what kind of a week would lead me down the path of picking a mid-90s comic book adaptation starring a mostly nude Pamela Anderson — or more to the point, one of the worst movies of all times or any times, including future times. In a sea of releases, there wasn’t much to choose from, so why shouldn’t you head over to your local retailer’s bargain bin (where you’ll undoubtedly already find this gem) and pick up a movie. On your way home, you can go get a barb wire tattoo around your arm and a tramp-stamp on your lower back. It’s classy all the way, this

The FSR family is many things. Knowledgeable, opinionated, 99% white males… But the best thing about the collective writers here is their ability to turn my usual grinch-like personality into one that embraces the spirit of giving. I’ve given pickup lines to Robert Fure and written school papers for Landon Palmer. I’ve bought alcohol for Jack Giroux and comfortable shoes for Merrill Barr. I even gave Neil Miller the idea of actually turning his “weekly” Blu-ray column into a weekly Blu-ray column. But now I’m finally getting something in return. I’ve stolen Miller’s brand new “PICK OF THE WEEK” concept as well as his idea of including titles I haven’t seen yet but still have an opinion about. Presumptuous? Probably. But you can handle it. If you can’t, feel free to give Cole Abaius a pruning with a pair of rusty shears. Wild Target Emily Blunt stars as a petty thief who rips off the wrong guy (Rupert Everett) and finds herself targeted for murder. The hitman (Bill Nighy) hired to kill her falls for her quirky criminal tendencies instead, and soon the two are on the run alongside a hapless ginger (Rupert Grint). This is lightweight entertainment to be sure and isn’t necessarily worth a purchase, but it’s still a lot of fun and doesn’t deserve to get lost in the DVD shuffle. It has a loose and casual spirit, Blunt and Grint get to cut loose and act zany, and Nighy is just fantastic as the aged hitman

As I expressed earlier in the week as our 2010 Year in Review began, I take it as a great honor that I am able to put together my list of the Best Films of the Year as part of my Editor’s Picks entry. And while I’m a massive fan of my own perspective and opinions, I’m an even bigger fan of the writing and ever-diverse tastes of the Film School Rejects reviewing staff. These are the folks who, through their sensational (and often divisive) review-writing, keep you coming back for more each and every day. They travel the world and brave the crowds at festivals, conventions, preview screenings and special events to bring you some of the industry’s sharpest, most honest film coverage. And I for one am honored to have them all on this team. Just as I did last year, I couldn’t wait to see which films each writer would put on their Top 5 lists as the best films of the year. And just as they did last year, they didn’t disappoint with their unique, ever-fascinating selections. So read on dear reader, as we present the crown jewel of our 2010 Year in Review: The Staff Picks.

This week, on a very special episode of Reject Radio, Peter Hall and John Gholson stop by to drop the Cinematical tag team on me, and we discuss the finer points of Pedobear advertising. They also destroy my anticipation for two films, and we manage to discuss the worst buddy cop cliches while admitting to the ones we can’t get enough of. All of this, plus you learn what movie is like Inception meets Dora the Explorer.

Mark Wahlberg and Will Farrell have guns. With bullets. Bullets that can kill. And their sights are set on Inception‘s top spot. Only two films open in wide release this weekend, and one of them is about dancing. The other film stars the two A-listers named above, so it seems fairly evident if any film is going to take over the #1 spot it’s going to be The Other Guys. Their time is now. Their guns are poised. Their aim is true.

Paramount Pictures has released a full red band trailer for their upcoming internet porn opus, Middle Men. For those who missed it when we posted the first trailer — of the green band variety — this film tells the story of the guy who invented the method of collecting money for subscriptions to adult websites. His innovation almost singlehandedly led the rise in the internet pornography business, which is now one of the world’s most lucrative entertainment sectors. Why? Because they made it fast and easy — and people like fast and easy, especially when it comes to porn. Check out the film’s synopsis and the new red band trailer after the jump.

This far into the age of the internet, we all just know and accept it as a porn filled cesspool – but do you know the story behind the digital hooters? The Middle Men explores the unexpected birth of the online porn blow-up.

Writer-director George Gallo (Bad Boys, Midnight Run) has signed on to direct Oxymoron Entertainment’s first feature film, an Internet porn comedy titled Middle Men.