Welcome back to Commentary Commentary, your weekly dish of directorial insight and/or, as indicated by last week’s column, shenanigans. This week we’re looking inside the mystery box with director Matt Reeves and uncovering what he has to say about our favorite recent monster movie, Cloverfield. Reeves did this commentary all by his lonesome, but something tells me J.J. Abrams was standing over him with a loaded gun lest Reeves divulge too much information. I’ll be listening intently for any Morse Code warnings or cries for help. Since this commentary track was laid down years ago, and since Matt Reeves has since directed Let Me In – more Morse Code messages. Hmmm – I have a feeling everything turned out okay. So here, in all of its Slusho wonder, is what I learned on the Matt Reeves commentary for Cloverfield. I wonder if there are going to be any Lost secrets. I hope there are Lost secrets. Or Star Trek 2. Okay, wishful thinking is over. Shutting up now.

There’s nothing quite like returning to the old neighborhood to find that your childhood playground hasn’t been torn down. You run your hand along rope ladders deemed “unsafe” by modern standards, feel the crunch of pebbles beneath your feet that did more to cut than soften a fall, sit in the swing and think for a moment about jumping out at the highest point. Super 8 is the cinematic equivalent of unearthing a time capsule and finding everything inside is still impossibly shiny and new. It’s impossible to remove the film from its own nostalgia, except for its intended audience of children discovering this type of filmmaking for the first time (and maybe even seeing their first Amblin logo). That’s a pretty powerful thing. With everyone clamoring to tap a market of adults eager for their own past while simultaneously getting kids into seats, J.J. Abrams‘s latest is one of the few that actually succeeds.

For many fans, closing the book on Lost once and for all has been a difficult task. Not only was it one of the most devoutly followed shows of all time — a series that showed us that the world of television could be delivered in a manner that felt cinematic, but existed over a longer period of time — but it was also one of the most intriguing and divisive shows in recent times. Our most recent memory of the J.J. Abrams championed show is just that — the great divide created by the big finale, dubbed appropriately “The End.” On May 23, 2010, it all came to an end. And with it came the answers to questions, some six years in the making, as well as more questions that have continued to plague the starving masses to this day. None of that hysteria will end with the release of the Complete Collection on Blu-ray. The questions remain. However, this week’s release of Lost in its entirety, complete with delicious goodies, is meant for a celebration. It’s time to look back at Lost from the beginning and celebrate one heck of a journey.

This week’s Culture Warrior says that cinema is the ultimate form of art. And it has nothing to do with ‘Avatar.’ Seriously, it doesn’t.

I’ve had my chance to hoot and holler all over the place about the latest entry in the Star Trek franchise from director J.J. Abrams. But as you might expect, I’m not quite done yet.