They said it couldn’t be done. A fifth year of 31 Days of Horror? 31 more terror, gore and shower scene-filled movies worth highlighting? But Rejects always say die and never back away from a challenge, so we’ve rounded up the horror fans among us and put together another month’s worth of genre fun. Enjoy! Synopsis Rosemary Woodhouse (Mia Farrow) and her husband Guy (John Cassavetes) move into an old Gothic Manhattan apartment building with an unsavory reputation. An aura of evil hangs over the building according to their good friend Hutch, but Rosemary and Guy aren’t put off by the stories and rumors. This is their dream apartment, and no tales of murder, mayhem and covens of witches are going to stop them from moving in. Their next door neighbors, Roman and Minnie Castevet are friendly and helpful, more helpful than Rosemary could ever imagine. Suddenly Guy, a struggling actor, starts getting the parts he’s missed out on. An actor suddenly goes blind, paving the way for Guy to get his career on track. Things are going better than ever and Guy who had been reluctant to have a child is all for it much to Rosemary’s surprise and delight. But be careful what you wish for especially when your ambitious husband has become BFF’s with the creepy couple next door.

The parallel is too easy, but Todd Solondz‘s Dark Horse really is a Dark Horse. Not only does the main character, Abe (Jordan Gelber), take some time to get any empathy, the movie itself isn’t exactly an instant winner. The reason is clear: so much of it is tied directly to a curly hair-chested baby of a man who drives a yellow hummer and doesn’t understand anything except his own victimhood. With only ten minutes under its belt, it’s difficult to see falling in love with it. That’s where the saying about books and covers comes in. Almost any other director might struggle to avoid making a movie focused on Abe into a chore, but Todd Solondz is most comfortable when he’s most uncomfortable, and the result is a drama that is singed with comic moments that belong in a therapist’s waiting room.

Trying to have a child is hard enough without being raped by Lucifer and hounded by neighbors that want way more than a cup of sugar. Written and directed by Roman Polanski and suggested for…mature audiences, this classic of cult-based horror was both Polanski’s first American film and his first novel adaptation. It’s part of the Apartment Trilogy, along with Repulsion and The Tenant. Apparently Polanski was not a huge fan of city living. It’s also not the last time Mia Farrow would deal with Satanic children. She’d go on to play the nanny to Damien in the 2006 remake of The Omen.

This past weekend saw the cinematic glory of Resident Evil: Afterlife pushing past security to get into your local theater even though it was moving slower than an instant replay in a curling match. The absolute atrocity of this film raises a lot of questions, but one of the first and foremost is whether or not directors should work with their spouses in a leading role. Paul W.S. Anderson, who thinks Milla Jovovich is as big an action star as Sigourney Weaver, is also married to Milla Jovovich, and while we can’t prove causation for the low marks in her performance here – we can certainly point to correlation. We can also point to 9 more husband and wife teams in order to find out if working with your legally bound significant other is really such a great idea.

Kevin Carr unleashes his venom on the relatively helpless Mia Farrow and calls for a more relevant hunger strike against Popeye’s Fried Chicken.

Jack Black and Mos Def remake all of your old favorites in this brilliant comedy from director Michel Gondry.