Trying to have a child is hard enough without being raped by Lucifer and hounded by neighbors that want way more than a cup of sugar. Written and directed by Roman Polanski and suggested for…mature audiences, this classic of cult-based horror was both Polanski’s first American film and his first novel adaptation. It’s part of the Apartment Trilogy, along with Repulsion and The Tenant. Apparently Polanski was not a huge fan of city living. It’s also not the last time Mia Farrow would deal with Satanic children. She’d go on to play the nanny to Damien in the 2006 remake of The Omen.

This past weekend saw the cinematic glory of Resident Evil: Afterlife pushing past security to get into your local theater even though it was moving slower than an instant replay in a curling match. The absolute atrocity of this film raises a lot of questions, but one of the first and foremost is whether or not directors should work with their spouses in a leading role. Paul W.S. Anderson, who thinks Milla Jovovich is as big an action star as Sigourney Weaver, is also married to Milla Jovovich, and while we can’t prove causation for the low marks in her performance here – we can certainly point to correlation. We can also point to 9 more husband and wife teams in order to find out if working with your legally bound significant other is really such a great idea.

Kevin Carr unleashes his venom on the relatively helpless Mia Farrow and calls for a more relevant hunger strike against Popeye’s Fried Chicken.

Jack Black and Mos Def remake all of your old favorites in this brilliant comedy from director Michel Gondry.