Kevin throws some hatred Neil’s way for being one of the few critics in the country to be allowed to see G.I. Joe: The Rise of COBRA. They put their differences aside for a brief moment to discuss the alien holocaust movie known as Julie & Julia.

It’s almost the weekend! Wanna get laid? Want your girlfriend/wife/lifemate/roommate you hook up with occasionally after karaoke night to cook delicious crap you can’t pronounce for like, a month? Take her to see this movie. And know a little backstory.

Julie & Julia has been cooking up some serious drama in the foodie world. One part movie based on a blog, two parts snark, and the zest of good ol’ fashioned dissin’. 500 degrees for 18-22 minutes. Recipe for disaster? You tell us.

Somehow, even though his part appears to be quite small and he’s only doing voice, Jason Schwartzman steals the show in this new trailer.

A little peek into the tiny world of Wes Anderson’s Stop-Motion

On paper, this looks like a nice teaming. Alec Baldwin is a great actor, and I don’t care if he’s beating his kids with aluminum trash cans. Steve Martin, well, that’s another story.

Flip back and forth between an episode of Maury when he’s interviewing a woman who doesn’t know who her baby daddy is and My Big Fat Greek Wedding while playing ABBA’s greatest hits album in the background. Add a dose of Meryl Streep and Pierce Brosnen and you get Mamma Mia!.

It’s no wonder that our illustrious Executive Editor Neil Miller wondered if he grew ovaries after discovering he enjoyed this movie.

Meryl Streep is throwing a big, fat, Greek wedding for her daughter, and it’s an open bar!

Well, Christmas didn’t come early after all at the Reject Report. Guess what Santa left under the tree this weekend for Tom Cruise and for Fred Claus? That’s right– nothing.

One way to make things more tolerable is to knock back a few while watching the movie. Who knows… maybe after a few beers, Robert Redford’s sermons might make more sense.

Like its predecessors, this film fails more out of boredom than message. Actually, a more appropriate title for Lions for Lambs could be Lamenting for Liberals.

This is Robert Redford’s seventh film as a director. Lions For Lambs is not his worst, but it is certainly not his best.

A very special welcome to all of you members of the Writers Guild of America, East and West, who are looking in on this web site in between the picketing.

Some art is created for its own sake and some art has a purpose beyond entertainment. Rendition, from director Gavin Hood, definitely falls into the latter category. While an intriguing story in its own right, there is also a timely message that the creators wish to deliver to the audience, and it doesn’t take a subtle mind to detect it. The intent is obvious from the title alone.

It’s Oscar season again. Can you feel it? Of course you can. The air is getting colder, it is about to snow here in Ohio (not really, but close enough) and studios are already starting to send press sweet DVD screeners. One particular screener that I am interested in receiving from the FedEx guy is Rendition, starring Reese Witherspoon, Jake Gyllenhaal, Meryl Streep, Peter Sarsgaard and Alan Arkin.

It is coming. Oscar bait season is almost upon us. This year’s hot topics seem to be gang violence and the war on terror. The latest in the latter category is LIONS FOR LAMBS, which stars Tom Cruise, Meryl Streep and Robert Redford. The film is one of those parallel storyline flicks, similar to 2005′s CRASH, whereas it tells three separate stories that ultimately intertwine.