It’s being reported by Bloody Disgusting that filming is scheduled to begin for the sequel to 2010’s Piranha 3D sometime at the end of May. John Gulager will direct, and it will see him reteaming with Feast writers Patrick Melton and Marcus Dunstan. The film’s title insinuates that there will be an increased focus on 3D bosoms for the sequel, but in addition to that, some other plot details have become known as well. This time the story will detail the prehistoric piranha’s voyage through a town’s plumbing system and into their local water park named ‘Wilderness Waters’. Seeing as the first one was set at a spring break hot spot and this one is set at a public water park, I don’t see where they’re going to get the chance to focus as much on T&A, but my heart definitely goes out to them as they give it the old college try. The film’s release date is currently set as November 23rd.

It’s time to put an end to it. Since David Edelstein’s 2006 article about Hostel, the phrase “Torture Porn” has been bloated short hand for any movie that features torture or excessive gore. Beyond being a misuse of the term, the problem with its spreading like an infection in an open wound caused by a crowbar is two-fold. One, it’s been tossed around so liberally that it barely has any meaning anymore. Two, when it does have meaning, it’s used as a loaded gun to take down a certain brand of film that deserves more thoughtful criticism.

It’s become an annual tradition for me to review a Saw film, and the ritual has resided somewhere between the sheer joy of bloodlust and the agony of feeling like the theater seat I was in came with leather straps and a reverse bear trap. Fortunately, I began with Saw V – the absolute worst film in the series – so the road was uphill from there toward the sweet freedom of better quality. Next came Saw VI, an uptick in the series and a return to the thoughtfulness that made the original idea so fresh and complex. Now, just like my responsibility as sole Saw reviewer for this site has been somewhere in the middle of pleasure and pain, Saw 3D (which was magically shown in 2D) also lives somewhere in between quality and crap.

This week, on a very special episode of Reject Radio, former Blockbuster employee and current Saw 3D co-writer Marcus Dunstan settles in for a long interview about his career, the new popularity of horror, and what traps he has in store for fans in the future. All of it is gracefully set to the music of Charlie Clouser’s score. Plus, we have time to review Paranormal Activity 2 despite never having seen the original. Listen Here: Download This Episode

Marcus Dunstan bounded onto the scene because of Project Greenlight, but he’s since made a bloody mess of his career by writing for the Saw franchise with writing partner Patrick Melton and sitting in the booby-trapped director’s seat for The Collector. FSR and Reject Radio will get him for one night only, and we’ll be asking the questions that really matter. Examples of these questions can be found at your local library. His appearance should be a great opportunity for those listening live on Sunday October 24th (10pm EST/9pm CST/5am Khartoum) to get in some questions about screenwriting, horror and the upcoming Saw 3D. Plus, 10 lucky winners will be kidnapped by a man in a pig mask, tied to a rusty metal futon frame, and forced to watch Beverly Hills Chihuahua so they can appreciate their lives more. Be there, be square or listen later during that hour-long commute you thought wouldn’t be so bad when you took the job.

When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one excellent horror film a day for the entirety of the month. That’s 31 Days of Horror and 31 Films perfect for viewing on a dark, chilly, October night. If you, like us, love horror and Halloween, give us a Hell Yeah and keep coming every day this month for a new dose of adrenaline. Synopsis: Professional thief Arkin finds himself mixed up in a deadly game when he inadvertently targets the same house as a serial killer with a penchant for elaborate traps and slow deaths. Unfortunately for the safe cracker, he’s not quite as heartless as he’d prefer and soon finds himself trying to help those already ensnared. Killer Scene: The movie takes a slow burn approach, so many of the best scenes are compiled in the latter half and the flick is solid pretty much from then on. For my money, I’d probably say my favorite sequence (slightly longer than a scene) involves the young lady of the house and her boyfriend who are being watched by our killer during some intimate moments before a nail gun and a dozen bear traps join the soirée.

Should you try to collect The Collector or leave him gathering dust on the shelf?

Six years ago, Marcus Dunstan was working at Blockbuster Home Video. Within the past four years, he and writing partner Patrick Melton have become major go-to’s in the horror world. On Friday, his directorial debut opened on 1,325 screens. Today, he shares his Top 5 Films with The Rejects. And now, in his own words…

The little horror film that could hits theaters today, and if the trailer didn’t sell you on it or if you’re wary of any horror that comes out, here are a few solid reasons why you should give The Collector the time of day.

Kevin Carr breaks down the week’s releases, looking at Funny People, Aliens in the Attic, and The Collector.

This Fall, we’re getting yet another installment of the Saw franchise. Now, Tobin Bell is hinting that we may be seeing them as far into the future as 2012.