This Week in Blu-ray: Drive, Transformers, Malcolm X, In Time, Outrage and The Thing (The Not So Good One)
Blu-ray Spotlight By Neil Miller on February 1, 2012 | Be the First To CommentThis Week in Blu-ray is back with another big week of releases. This is the time of year when a lot of great fall releases, Oscar contenders new and old, and even a few summer blockbusters going for the double-dip get their more impressive debuts on the mother of all HD formats. This week we get to explore my personal favorite film of 2011, as well as some fantastic re-releases of classic films like To Kill a Mockingbird and Malcolm X. There will also be a discussion of The Thing (2011), albeit a brief one. Drive In recent interviews, director Nicolas Winding Refn has promised fans that a fully loaded edition of Drive would eventually make its way to Blu-ray, with plenty of extras, interviews and other special features. While I, like you, find that to be a nice idea, it’s also hard to overlook the urgency of getting 2011′s best film into my collection as soon as possible. And much to my surprise, this Blu-ray release is solid. Ryan Gosling is still Driver, he’s still driving fast and fighting for the girl, and he’s still punching out Christina Hendricks and stomping dudes flat in elevators in between driving scenes backed by the pulsing score of Cliff Martinez. There’s also some special treats. No, not a toothpick. Although I’d take it. This release comes complete with four featurettes, all worthy of your time, and a documentary-length interview with the film’s director. It’s an efficient package that, like the film to which it’s
Culture Warrior: Politics of Identity in ‘X-Men: First Class’
Culture Warrior By Landon Palmer on June 7, 2011 | Comments (8)Themes of identity, difference, stigma, and othering are explicitly or implicitly present in much of the X-Men mythology, whether expressed through comics, television shows, or films. While I was never a devotee to the comics, as a fan of the 90s animated television series and (some of) the recent slate of Hollywood films (that have, as of this past weekend, effectively framed the continually dominant superhero blockbuster genre), I’ve always been fascinated by the series’ ability to take part in the language of social identity issues. Fantastic genres like horror and sci-fi have often provided an allegorical means of addressing social crises (vampire films as AIDS metaphor, zombie movie as conformist critique, or Dystopian sci-fi as technocratic critique, for example). The superhero genre has possessed a similar history in this capacity, even though it has thus far been mostly unrealized in the medium of film. As big entertainment, superhero films ranging from the first Spider-Man to the Iron Man films have bestowed narratives of exceptionalism and wish-fulfillment rather than shown any aspiration towards critique or insight. Perhaps The Dark Knight is most involved example of social critique thus far – a film that explores themes surrounding the personal toll on fighting terror and the overreaches of power that can result in the name of pursuing safety. What X-Men: First Class (almost) accomplishes is mining fully the allegorical territory made available by its fantastic premise in a way that few previous comic book films have.
The Vintage Trailer of the Day Didn’t Land on Plymouth Rock. Plymouth Rock Landed on It.
Features By Scott Beggs on January 17, 2011 | Be the First To CommentEvery day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. This trailer knows where it came from. Denzel Washington turns in a powerful performance as the most famous civil rights leader with a letter for a last name. In Spike Lee’s best film, a man rises up as a follower to become a leader, telling people that it’s time to stand up. Think you know what it is? Check out the trailer after the jump.
The People of the Future Will Have No Trouble Finding ‘Empire’ ‘Airplane!’ ‘Malcolm X’ or ‘The Pink Panther’
Movie News By Scott Beggs on December 28, 2010 | Be the First To CommentThe Library of Congress opens up its big mystical vault once a year to toss in 25 films that it deems worthy (by stirring old clapboards into a vat of rat blood and reading the star alignment). This year was a big year that honors some of the fallen members of the community – notably Leslie Nielsen, Blake Edwards and Irvin Kershner. Safely stowed away as important cultural documents, The Empire Strikes Back, Airplane!, and The Pink Panther join 23 other films that will be forever kept in the hearts of those who care to apply for a Library of Congress library card (a three-step process that includes a photo being taken). Check the entire list (which is littered with incredible movies) below:
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