This week, Fat Guy Kevin Carr is stuck in an elevator reviewing movies, but he realizes that being in there with the Devil isn’t nearly as bad when you’re also stuck in there with faux-slut Emma Stone. To pass the time, he robs a few banks in The Town of Boston with Ben Affleck and embroiders a scarlet Easy A on his chest. Sigh… if only he had worn a shirt when he did that…

Do you like genuinely funny movies that tell character stories in earnest as fuse humor and heart? Films that are not one-note, one-joke or one-testicled? Films that compliment rock solid acting with quality writing and a filmmaker intent on telling you a multi-dimensional story, even if that story is about a less than likable guy who gets his balls whacked off by an angry father with a trumpet? Good, because so do I. Enter Barry Munday, the directorial debut of Chris D’Arienzo, a director you should keep an eye on. Especially if you like the aforementioned quality films, namely those that will give you laughter. As I mentioned in my review from SXSW, this one’s well stocked with two wonderfully charismatic leads — Patrick Wilson and Judy Greer — and plenty of meticulously placed supporting players — the likes of Malcolm McDowell, Chloe Sevigny, Christopher McDonald, Billy Dee Williams and Kyle Gass, as seen delivering an uncomfortable moment in the trailer. It’s one of the few movies I’ve seen this year that I’d insist you see. At the very least, do me a favor and watch the trailer after the jump.

With an energetic opening that signals an upbeat and well-soundtracked tone, Barry Munday introduces us to its title character, played by Patrick Wilson. He’s a guy you’ve met before, around the office (if you’ve ever worked in one). The guy who hits on every woman in site, spends most of his lunchtimes alone and is constantly making imbecilic, inappropriate remarks. You may know him as a tool.

Kevin Carr sits his chubbiness down and sees if The Book of Eli, The Spy Next Door and The Lovely Bones can make the grade.

Being the adventures of some film geeks who love music, ironic imagery and a bit of the old ultra-violence – we take a look at one of the best films of all time.

Claire goes hunting for villains, Hiro and Ando look for answers to who’s behind the curtain, and the Pertrelli family finds they will have to set out an additional plate of China at dinner.

Neil Marshall’s next flick just seems to keep sneaking back up on us, and its release is getting close… So how about a trailer.