Few people would ever accuse Park Chan-wook’s Oldboy of being subtle cinema, but Spike Lee’s remake of the 2003 feature smashes any lingering vestiges of the restrained right into the ground with a bloody, looming hammer. Strangely enough, the opening credits of Oldboy provide some insight into the feature itself – this is “a Spike Lee film,” not “a Spike Lee joint,” and it’s “based on the Korean film,” not “based on Park Chan-wook’s film” or “based on Garon Tsuchiya’s manga.” This is not a unique feature and even its own director isn’t interested in putting his signature touch on it. As with Chan-wook’s film, Oldboy centers on a seemingly regular man who is abducted, thrown into a prison-like hotel room for two decades, and framed for the heinous murder of his ex-wife. Josh Brolin is effective enough in the role, and he’s got the fiery anger and unswerving drive element of his character down pat. Emotions not fueled by rage and revenge aren’t quite his forte, at least here, but those don’t really come into play into further down the line. For the first act of the film, he’s just about perfect. Brolin’s Joe Doucett is a flabby, drunk loser who thinks that a smooth-talking attitude will help him succeed at work (it won’t) and just yelling about things to his beleaguered ex-wife will get her to shut up (it also won’t). He’s unsympathetic, but he certainly doesn’t deserve his punishment (or, well, does he?).