Jonathan Nolan

The proposed live action Akira being developed over at Warner Bros. is slowly and steadily becoming the most talked-about film project of all time. The ups and downs of bringing this beloved story to the big screen have been well documented, but the most recent news made it look like this project might finally be ending its wild ride. Reports came in last week that all work on the film had been halted, the entire thing was being rethought, and maybe it could get scrapped indefinitely. But that was last week. This week, Variety is reporting that a new strategy for resuscitating director Jaume Collet-Serra’s project is being hatched. It sure didn’t take long to get the roller coaster going again. Last week’s reports said that the main reason for Akira being halted was that it needed to, yet again, go through some budget cuts. But according to a source that talked to Variety, that’s not exactly the case. While trimming some more fat from the budget is certainly something that Collet-Serra and his producers are looking at, mainly the reason the film is being re-tooled is just that there are still problems with the script they’re working with. Reportedly there are still questions about some character elements and the film’s look. And that’s after this thing has already received rewrites from the likes of Steve Kloves and David James Kelly.

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When it comes to procedurals there’s no doubt that CBS is king. From the boys in Hawaii to the profilers in the F.B.I., over the last decade CBS has successfully taken the reigns of crime-of-the-week king from NBC. But this season they decided to have a little fun with the genre they know all too well. And that fun comes in the form of the latest program from the camp of J.J. Abrams, Person of Interest. The show follows former military man John Reese (Jim Caviezel) who is recruited by a very strange rich guy known only as Mr. Finch (Michael Emerson) who, through a machine he built for the government, is able to predict crime before it happens… Sort of… The machine can’t give out details without exposing Finch’s back door to the machine, so all he gets is the social security number of the titular person of interest, and that person could be the victim…or the culprit.

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!Commentary Commentary weekly your to back Welcome See what I did there? This week, we’re hitting up one of the finest pieces of cinema in the last 15 years and hearing from the uber-intelligent man behind it. The film? Memento. The director? Christopher Nolan. In this commentary, you’ll uncover mysteries, technique, and styles the filmmaker put into one of his several masterworks. What you won’t be getting is any information on Dark Knight Rises. Sorry, but me just including that title here ensured 54 more hits. It’s a proven fact. So, without further ado, here is what I learned from listening to Christopher Nolan’s commentary track on Memento. In addition, I also learned a thing or two about my own short-term memory problems. Yeah, I have some trouble remembering things. Like that time I took a picture of Joe Pantoliano’s corpse. See what I did there? This week, we’re hitting up one of the finest pieces of…Oh, never mind!

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With all that Comic Book Convention 2010 stuff slowly dying out, someone out there in the superhero world had to pipe up and keep the train rolling down the track. After all the Marvel talk, it might as well be a DC property. The rumor of the day is that Jon Hamm – the actor known as Mad Men’s Don Draper and Liz Lemon’s impossible boyfriend – might be up for the role of Clark Kent (a man who, if you look at him without the glasses, resembles Superman an awful lot). This isn’t a done deal, but if it’s headed that way, it’s enough prompting to take a look at the pros and cons of what casting him might mean.

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Culture Warrior

With all the invention, intriguing plot webs, and overall solid cinematic storytelling that Christopher Nolan’s films are credited for, yet another innovative characteristic of his signature narrative approach is often looked over: his own special brand of antihero. A thread that has connected Nolan’s films (scripted often in collaboration with his brother Jonathan) is the presence of a central male character who possesses some combination of destructive egotism, desperate selfishness at the risk of others, aggressive self-righteousness, willful delusion, or even the first signs of a messiah complex (“asshole” is used in the title of this post simply as an umbrella term for all the negative traits connecting these protagonists). I credit this aspect of storytelling and character development to the brothers Nolan, for filmmakers who work so successfully in Hollywood aren’t often able to bring to the screen characters who contain so many obvious flaws, and further credit goes to them for actually immersing us in their characters’ subconscious (figuratively in the case of all their films not titled Inception), making us give a damn about these characters to the point that sometimes these otherwise obvious personality flaws are only visible upon reflection after the film has been experienced. Nolan’s characters are often complex and intelligent, but beneath any confident exterior resides a deeply troubled psychology – some more obvious than others.

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Chances are that you and yours are keeping an eye on the world of Christopher Nolan and his movement (or lack thereof) on the next film in his Batman franchise. After the tour-de-force that was The Dark Knight, who can blame you? We’re keeping an eye on it as well. And by we, I of course mean everyone who writes about movie on the internet. Thus, this may not sound like news to many of you. But follow along anyway, lest ye be strapped with the dull-drums of your real life.

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The Dark Knight Logo

So far the battle lines have been drawn and the draw-bridge is up on the castle that holds all the answers for fans of The Dark Knight — no one is talking about another film. Fans appear to be excited, though.

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The Dark Knight

The Dark Knight’s writing duo David Goyer and Jonah Nolan talk about where the film’s story comes from, how they crafted the very unique dynamic between Batman and The Joker, and where Harvey Dent fits into the picture.

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published: 02.13.2012
SF IndieFest
published: 02.12.2012
SF IndieFest
published: 02.12.2012
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