Currently Browsing: "Javier Bardem"

While the action takes place almost exclusively in Spain, the script is still a highlight of neurotic New Yorkers who babble on about nothing and everything. This is the essence of Woody Allen.

There’s a lot to like about Vicky Cristina Barcelona, and none of it has to do with Scarlett and Penelope making out (which is a brief moment).

Oddly enough, the film’s new movie poster is also in the mood to get down in a “let’s have a very European threesome” sort of way.

We are convinced that DDL can do just about anything. He can strike oil, be the last of his kind and even run the streets of NY. But can he sing?

I don’t know about all of you, but I find something inherently interesting in a movie that features a bunch of incredibly beautiful people making out all over one of the world’s most beautiful cities.

Welcome to FSR’s newest weekly feature in which I break down the good, the bad, and the ugly of what Hollywood has to offer.

Good looking, Spanish, and a hell of an actor, this dude has it all. And you would think that there is nothing that could top what he has already accomplished. Not so fast, friendo.

I finally see now the masterpiece so many others have heralded the movie as, it just took a couple of extra viewings for me to open my eyes.

This year’s Oscar Best Picture winner finally shows up on DVD, friend-o.

Well, the major theme of the night was how many surprises there were. Even Roger Ebert is probably second guessing the Academy right now.

Oscar Week continues as we break down the nominees for Best Supporting Actor. Find out who we think will take home Oscar’s gold…

The Brits pick their favorite films of the year. Time to analyze their decisions.

Faces like Keira Knightley, Javier Bardem, Seth Rogen and Naomi Watts show up in Hitchcockian scenes for VF’s “Hollywood Portfolio” Issue.

Unlike the Golden Globes, the actors were on hand at the 2008 Screen Actors Guild awards.

From the novel by Cormac McCarthy, the Coens have concocted a lurid and unremitting thriller that will undoubtedly leave the viewer with both chills and some food for thought long after it’s over.

The spectacular failure that such a promising movie became leads me to wonder if cinema itself is dying.

From frame one, the directors make it clear that whatever’s about to happen, it’s not going to end well.

Love in the Time of Cholera is a gorgeous disaster of a film. The movie is filled with some rich visuals and scenery, but that is about the only good quality that can be said of it.

Few movies come along each decade like “No Country for Old Men”—it’s an old-fashioned, multi-tonal thriller with rich characters, fascinating story-telling and a unique perspective on a genre that’s seen it all.