Currently Browsing: "Hitman"

With as lightening-fast as Marko Zaror is, we were incredibly lucky to catch him on camera for an exclusive Fantastic Fest interview. We assume the master martial artist and Mandrill director Ernesto Diaz Espinoza were lured in by the promise of free booze and shag carpet on the walls.

In other news: Fox is working on a Hitman sequel. No word yet on who will have to go bald for it.

So there I was, watching Isla Fisher’s new film Confessions of a Shopaholic and being a little surprised as how likeable she is on screen in a leading role when it occurred to me… I’m probably never going to see her boobs again

All signs point to Mickey Rourke staying in the spotlight for the immediate future. His latest upcoming project announced during the thick of the Oscar race will reunite him with Walter Hill, his Johnny Handsome director.

Jason Statham is back as Frank Martin, the driver with a very particular affinity for driving Audis, solving diabolical plots and using household objects to beat the piss out of bad guys, handfuls at a time.

Brian Gibson loves to buy DVDs. Come with him on his weekly journey into the depths of credit card debt as he tells you what to buy, rent and avoid.

Well, we all know what’s going to be number one at the box office this weekend…

Time and time again we see movies adapted from video games fail miserably.

The movie may be getting rocked by critics, but there are 3-4 minutes of a nude Olga Kurylenko somewhere in the middle to take the sting off the train-wreck of a story.

Blasting its way into theaters this Thanksgiving is the movie adaptation of the critically acclaimed game.

It’s not a complicated movie, so this isn’t a complicated game.

Happy Thanksgiving from the Reject Report to all of you, and a big hello again to all you Writers Guild of America people who plan to spend Turkey Day on the picket line. We’ve got a big week of movies ahead.

The recent furor over who was in control of the Hitman project and what rating it was going to get brought to light the lengths a studio will go to in order to ensure profitability of a movie.