You want more unsettling movies about children in your 31 Days of Horror? Fine, then you got it!

Rob Hunter loves movies. He also loves slinging hash and pouring stout at The Slaughtered Lamb. These two joys come together in the form of cash money payments that he receives every week and immediately uses to buy more DVDs. This week we take a look at a couple furry manimals, some suspense from abroad, and a mother who covers her kitchen floor with warm milk fresh from the source (and I don’t mean a cow).

Mature and insightful aren’t two words often associated with the horror genre. Paul Solet, writer and director of Grace, aims to change that. We talked with him at SXSW and got his thoughts on his film and where the horror genre is headed.

Hear comes your day two wrap-up folks, direct from The Pita Pit on Congress Ave. in Austin where coincidentally, I just ate a very awesomely wrapped Pita in between screenings here at the SXSW Film Fest.

There are an endless amount of reasons to attend the SXSW festival, one of the best being the opportunity to view filmmakers usher in a new generation of creativity. Paul Solet’s Grace can speak on that matter.

Between our own scouring of the schedule and the countless emails from publicists, producers and directors, we are confident that we’ve got a handle on which films you should absolutely see at all costs should you be coming here to Austin this weekend. So here’s a list of the must sees, from us to you.

Park City at Midnight offers eight films that are likely to amuse, surprise, or shock the bleary-eyed viewer and offer a lively last stop in the nightly film-going circuit.