The Oscar montage reel is a genre on its own. It’s transparently demonstrative of the overall function of the Academy Awards. These montage reels summarize and make explicit what the annual ceremony attempts to accomplish writ large: to create and solidify a canon of important American films, along with a delimited understanding of their importance. Yes, the Oscars have occasionally given a voice to the indie underdog and rush through their obligatory movies-with-subtitles category, but besides the occasional screenplay nomination for a truly innovative film and the rare foreign language film that broaches through the marginal categories, the Oscars are by and large a celebration of American cinema, specifically Hollywood cinema. During the 2006 ceremony, a moment occurred that has been seared into my memory. I haven’t been able to find a clip of it online since it aired six years ago, so I hope this isn’t wishful or inaccurate. The 2006 ceremony consisted of a spate of overtly political films, as Crash, Brokeback Mountain, Munich, Good Night and Good Luck competed for top honors, and Syriana was in the running for other awards. In likely hopes of gaining cultural capital from celebrating mainstream cinema’s rarely explored but ever-present political function, the Academy aired a self-congratulatory reel of past Oscar-nominated films that have addressed other topical social problems, from In the Heat of the Night to Philadelphia. When the lights came back and the audience applauded with anticipated decorum, host Jon Stewart then graced the stage and stated, in a [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

This week’s Culture Warrior gives an exhaustive review of the decade that you won’t find anywhere else on the Interwebs.

This week’s Culture Warrior is so good that it took three extra days to write.

Apparently it’s now called Wall Street 2: Money Never Sleeps, and legendary actor Frank Langella will be joining the cast in a pivotal role.

It’s okay to admit you cry once in a while guys. As long as you beat a gorilla to death immediately afterward, you can still be considered manly. Luckily, there’s a few flicks out there that let us cry at will – here’s ten of ‘em.