Criterion Files #63: Things Aren’t What They Seem in ‘Carnival of Souls’
Criterion Files By Landon Palmer on October 27, 2011 | Comments (2)Flesh for Frankenstein and Blood for Dracula. Island of Lost Souls. The Most Dangerous Game. The Night of the Hunter. The Blob. For a company perhaps best known for releasing pristine editions of international arthouse classics, The Criterion Collection certainly has a healthy amount of cult films in its repertoire. Cult cinema is often a difficult beast to recognize, for such films avoid the roads best travelled in their journey towards recognition and renown. Unlike seminal films in the collection including The 400 Blows, 8 ½, or Rashomon, cult films aren’t typically met with immediate cultural or institutional recognition upon release, aren’t made by internationally-recognized talent, and don’t always have an immediately traceable history of influence. That is, however, what makes cult films so interesting and so valuable: they emerge without expectation or pretense and signal the most populist and anti-elite means by which a film can gain recognition, pointing to the fact that there are always valuable films potentially overlooked between the pages of history. Herk Harvey’s low-budget drive through horror masterpiece Carnival of Souls (1962), like many cult films, emerged into the top tier of film culture in some of the unlikeliest of ways. Harvey was an industrial and educational filmmaker; the $33,000 Carnival was his only feature work. The film had ten minutes lobbed off of it for its drivethru run to fit more screenings, and was largely a non-event when it first graced American screens. Carnival’s success is owed mostly to genre film festivals, late-night television [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]
Giveaway: Survive and Win a ‘Survival of the Dead’ Poster
Free Stuff By Jack Giroux on June 6, 2010 | Comments (22)George A. Romero’s fun and darkly hilarious Survival of the Dead has invading cineplexes and in accordance to that we here at Film School Rejects have been given three very cool mini posters for the film.
Interview: George A. Romero on Blood, Digital, and ‘Survival’
Features By Jack Giroux on June 4, 2010 | Be the First To CommentWe sit down with the legendary George Romero and find out what happens when you shove a screwdriver in a zombie’s ear.
Kevin Carr’s Weekly Report Card: February 26, 2010
Features By Kevin Carr on February 26, 2010 | Comments (1)
Fat Guys at the Movies Ep. 154 – The Cop Out Fatties
Features By Kevin Carr on February 26, 2010 | Be the First To CommentKevin and Neil celebrate the end of the February movie season by barely seeing any movies. Neil copped out on Cop Out and neither of the Fat Guys were able to see The Crazies before recording.
Flesh Starved: Seven Ideas for George Romero’s Next Zombie Flick
Features By Robert Fure on October 7, 2008 | Comments (16)With 5 “of the Dead” films already done and another on the way, we decided to lighten Romero’s workload by coming up with the titles and plots for his next seven films.
31 Days of Horror: George A. Romero’s Living Dead
31 Days of Horror By Robert Fure on October 1, 2008 | Comments (16)Before zombies were everywhere, they were terrorizing the citizens of Pittsburgh, PA, directed by the disturbed mind of a kindly man named George A. Romero.
Ten Movies That Will Keep You Indoors
Cinematic Listology By David Hartman on July 20, 2008 | Comments (31)If it’s hot where you live, but you still feel like you haven’t gotten all you can out of summer and it’s relentless, unforgiving, soul-crushing heat, here are ten movies you can watch that’ll help change your mind and keep you indoors.
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