What is Movie News After Dark? It’s a nightly movie news column that welcomes your feedback. Or your blind allegiance. Whichever you prefer, dear reader. We begin this evening with a new shot from season five of Fringe, a show I’ll dearly miss once it makes its exit after this upcoming season. The bastard son of a generation of J.J. Abramses raised on The X-Files, Fringe is still one of the most consistently interesting and energetic sci-fi shows on television. And it’s got John Noble, so that helps.

If you’ve never seen Jonathan Ames’s recently cancelled HBO show Bored to Death, you might want to brush up on the premium cable mystery/comedy show, for costar Ted Danson recently suggested in an interview with French journalist Pierre Lenglas (according to Lenglas’s Twitter account) that a feature-length Bored to Death movie might be in the works. To be fair, nothing official has been announced and, according to Vulture, HBO qualified Danson’s statement my stating that the creators and talent of the show are only in the early stages of conversation. But with Jason Schwartzman and Zack Galifianakis rounding out the show’s cast, a Bored to Death movie might make quite a bit of sense. Bored to Death ran for three seasons from 2009-2011, and chronicled the misadventures of Jonathan Ames (Schwartzman), a struggling writer who becomes an amateur detective in order to get over being dumped by his girlfriend Suzanne (Olivia Thirlby). His best friend Ray (Galifianakis) is a deeply insecure comic book artist who struggles to maintain power in his relationship with his on-again, off-again girlfriend Leah (Heather Burns). Danson plays Ames’s boss, George Christopher, the editor of a New Yorker-style magazine and a ginormous pothead. While the show lost steam for me in its third season, Bored to Death was a clever and surprisingly warm show about the difficulties of commitment, the changes in New York City’s boroughs, the death of the printed word, and narcissism. It’s the type of show that could only have aired on HBO.

In today’s world of instant gratification and excess, enough is never enough. So if somebody makes two seasons of a TV show that you really enjoyed, it’s not a blessing that you got to experience the show at all, it’s a tragedy that the show didn’t last for six seasons and a movie. These days if a show gets cancelled or stops production the rumors of a feature film spin-off are inevitable and near-immediate. I blame Firefly for actually getting a post-cancellation movie made. Now TV shows can never rest in peace, we have to hear about the potential Deadwood movie and the potential Arrested Development movie ad nauseam. Today there’s a new show that you can add to the movie rumor pile, because Bret McKenzie just happened to make an offhand comment to a reporter about turning his HBO collaboration with co-star Jemaine Clement and director James Bobin, The Flight of the Conchords, into a feature. “We’re gonna try and do a movie,” he told THR, “We just need a story.”

Hipster is a term that is difficult to define, mainly because its definition has changed so much over time. The term (arguably) first entered mass culture with the publication of Norman Mailer’s 1957 essay, “The White Negro: Superficial Reflections on the Hipster,” which recounts the rise of the jazz-age hipster from the 1920s-40s and its later manifestation in Beat culture. In this controversial piece, Mailer states, “You can’t interview a hipster because his main goal is to get out of a society which, he thinks, is trying to make everyone over in its own image.” Thus from the very outset early in the twentieth century, the hipster remains elusive in terms of providing a self-definition. The hipster thus became defined instead by those observing from the outside. To self-identify as a hipster in early-mid twentieth century subcultures was to, in effect, not be a hipster at all. Thus, the very definition of a hipster, if we can even call it that, becomes a self-contradicting Catch-22. In the age of jazz and the Beats, hipsterism was a means of deliberately constructed self-identification within an authentic counterculture (though such identification remained purposefully vague to those outside that culture). 20th century subcultures and countercultures have continually defined themselves through association with a certain brand of decidedly non-mainstream music. While the term “hipster” has moved in and out of use, the notion behind it has remained through each decade with each major shift in countercultural expression, from psychadelia to punk to goth to grunge

With a Conchord no less!

There are few people out there who are as naturally funny as Rhys Darby, who you may know from Flight of the Conchords or Pirate Radio. He’s the sort of guy who could even make the process of telling someone that they’re going to die kind of funny…

We managed to sit down with Jemaine Clement to talk Gentlemen Broncos, playing a pompous asshole, and the future of Rock Band: Flight of the Conchords Edition.

Prepare to cover your eyes, as we reveal the kings of the awkward laugh. Don’t. Look. Away. Wimps.

Today’s edition of Stuff You Need should actually be called “Stuff You Need Right Now,” as it comes with a side of urgency.

If there is one thing about Flight of the Conchords that I do not like, it is having to pay for HBO. It’s good news for me then, that FunnyOrDie has posted the season two premiere of Flight of the Conchords online, free for the public to enjoy.

Fans of Flight of the Conchords will recognize the brilliant actor behind this oddball sci-fi writer as Jemaine Clement. Don’t be fooled though, this is very seriously inspirational shit…