Welcome to the Future: Soon Cars and Planes Will Play 3D Movies
Movie News By Nathan Adams on April 25, 2011 | Comments (1)Thanks to companies like MasterImage, we will soon be able to watch 3D movies without having to put on those bulky, pesky glasses. They’ve come up with something called “cell-matrix parallax barrier” technology, which sounds like some sort of Lawnmower Man or Johnny Mnemonic-esque immersive Internet world, but is actually just a display screen that projects 3D images. They’ve already started licensing out their work, as Hitashi has used it to create the Wooo, the first ever glasses-free 3D mobile phone, and if VP and GM of 3D display Roy Taylor has anything to say about it, we could be seeing MasterImages’ 3D displays all over the place in coming years, including in cars and airplanes. “We weren’t looking at (airlines and car makers) initially,” says Taylor, “We were focusing on smartphones and tablets, but there turned out to be strong interest.” While cycles of production on cars aren’t quite as fast as cell phones and tablets, and production on new airplanes is even slower, it could be a year or so before we start seeing these 3D screens showing up in luxury automobiles, and a couple years before they’re installed by full service airlines.
Short Film of the Day: Bartholomew’s Song
Features By Cole Abaius on March 12, 2011 | Be the First To CommentWhy Watch? This short is clever and playful even in the midst of a totalitarian society that forces people to make foam door-stoppers all day. One man breaks away from the hive mind when he finds a machine that plays music. It’s got a little nod to Shawshank and one of the hands-down, all-time best surprise moments of short film history. Don’t believe me? See for yourself. This thing does not go where you think it should. What Will It Cost? Just ten minutes of your time. Does it get better any better than that? Only if we yelled at you over a PA system while you watched. Check out Bartholomew’s Song for yourself:
Welcome back to Junkfood Cinema: voted #1. Every week I force-feed you hot spoon-fulls of hot garbage from my personal celluloid landfill. These stinkers may have fallen short of technically proficient from the time their scripts were greenlit, but they nevertheless occupy a special, greasy part of my heart.
In a Dystopian future, oil reserves are all but gone, and everyone is animated in such a way that their eyes are way, way too big for their heads.
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