Blood, Sweat, and Latex: Getting a Foot (And Shaft) in the Door
Blood Sweat and Latex By Shannon Shea on June 27, 2011 | Be the First To CommentFor those of you new to the column, I’m revisiting formative events in my life that have made me what I am today: A Special Effects Make Up Artist looking for relevance in the 21st Century. I have completed one year at the California Institute of the Arts Film Graphics program, and I have returned for my second year, I have moved off campus and have a small garage shop to make monsters. I am nineteen years old… My second year at CalArts, I ended up on Academic Probation. That was no easy task since students were not graded on an A, B, C, etc. scale. Instead, it was High Pass, Pass, or Incomplete. There was no “fail” but every two years (sophomore & senior) all students were “reviewed” by a board made up of a few faculty members. It probably had something to do with my cessation of attending classes primarily because they truly weren’t much more than glorified “wrap sessions.” It would be unfair to mention faculty names, but I will mention some of the classes to illustrate what I mean. I took a class called “Direct Animation” which the course description promised the manipulation of three-dimensional objects in front of a camera. To me, that is a description of Stop Motion Animation, right? It was finally something in which I had a passionate interest.
‘Chuck’ Creator to Helm New Adaptation of ‘Bright Lights, Big City’
Movie News By Cole Abaius on April 2, 2009 | Comments (2)Josh Schwartz is writing and directing an adaptation of the novel about New York City decadence for MGM. Also, if you wanted to see Michael J. Fox shouting at a fashion show, the trailer for the original is inside.
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