David Weaver

Samuel L. Jackson finally gets to put Nick Fury aside and play a serious, well-rounded character in The Samaritan, a new film noir. The experience of watching Jackson actually act is the primary pleasure to be gleaned from David Weaver’s movie, which places the star in a narrative that’s so grim and hopeless it’s no fun at all. Experienced con artist Foley (Jackson) leaves prison after serving 25 years for the murder of his partner. He just wants to be left alone, but alas, that’s not to be. His partner’s embittered son Ethan (Luke Kirby) has orchestrated a gigantic snare aimed at forcing Foley to take part in an ambitious, risky con targeting crime kingpin/oenophile Xavier (Tom Wilkinson). Foley spends most of the movie angrily resisting Ethan’s overtures, engaging in repeated violent confrontations. But his antagonist, played with sheer smarminess by Kirby, has a big trump card: a pretty young woman named Iris (Ruth Negga) who’s carrying a big secret.

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