Rather than saying, “I wonder if the Magisterium is supposed to represent the modern Catholic church?,” sit on the edge of your seat and say “Wow! Two polar bears beating the shale out of each other. Cool!”

Simply put, this is as good-looking of a film as you’ll find this year or any other for that matter and it is accompanied by a music score by Alexandre Desplat (2006′s The Queen) that is more than suitable for the genre.