This week, on a very special episode of Reject Radio, we talk with stuntman legend Vic Armstrong (who brought to life Indiana Jones, Superman and James Bond). We also chat with camera operator/cinematographer Peter Simonite (Skateland, Tree of Life), and we dig deeper into the monster-making world of effects master Shannon Shea. Plus, Matt Razak from Flixist spars off with Mike Smith from Examiner.com for our Movie News Pop Quiz, and we all learn an important lesson. By that, I mean a lesson about re-imaginings, reboots and re-re-re-makes. Listen Here: Download This Episode

In an interview with the LA Times, Tree of Life cinematographer Emmanuel Lubezki claimed that it was different than any other experience he’s had with filmmaking. Those words carry an immense weight considering the man is in his 28th year of his career and has worked on films as diverse as Children of Men and Y Tu Mama Tambien. What was different about it? They didn’t focus on the actors. “So the actors are performing the dialogue, but Terry [Malick] isn’t interested in dialogue. So they’re talking, and we’re shooting a reflection or we’re shooting the wind or we’re shooting the frame of the window, and then we finally pan to them when they finish the dialogue,” said Lubezki.

Fraker was not only a visionary, he had the range and ability to shoot any project put in front of him.

A missing woman, a dark mystery that broods and builds into a tempestuous relationship, a painstaking process of turning the big screen into a canvas.