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Flashy visuals and a semi-unique premise do not a great action movie make. No matter how cool your idea may be or how much money you sink into the visuals, you still need to invest in characters and story. That is the lesson to be learned from Paul McGuigan’s sci-fi thriller Push.

Kevin Carr reviews the movies the studios didn’t allow him to see early this week: Pink Panther 2, Coraline and Push.

Columbus Rejects! Get a chance to see Push two days before it opens… for free!

In a country that has replaced the motto of “land of the free, home of the brave” with “make sure you Tivo it,” it only makes sense to throw away last year’s actors like a DVD of an Ashton Kutcher film at Christmas. But worry not, we’ve got you covered on who everyone will be talking about in 2009.

The chaps at Summit Entertainment and Wildstorm/DC Comics will be releasing a comic miniseries, written by Marc Bernardin and Adam Freeman; Art by Bruno Redondo. It should help us figure out what this Push movie is all about.

The first trailer for Lucky Number Slevin director Paul McGuigan’s upcoming sci-fi thriller Push has hit the web — and boy, does it look good.

Alright, so I know this doesn’t exactly work under the “Live from Hall H” banner, as it is something that happened yesterday, but it doesn’t hurt to mention it.

10,000 B.C. is an arid wasteland; a visual ostentation that falls far short of impression and a derivative, vacuously written, cliched-riddled mess that has little to do with accurate history or anything remotely original or interesting.

This film is old-fashioned epic storytelling, complete with a narrator (the legendary Omar Sharif) and all the trappings that come along with magical realism.

Roland Emmerich makes pure popcorn movies. That isn’t necessarily a bad thing, as there’s definitely a place in film for that kind of entertainment.