There’s a solid chance that you haven’t heard of most of these movies. Yet they exist – out there somewhere as a thorn in the side of movie fans trying to see as much as possible. Nuggets of potential waiting to be picked up from the movie orphanage by a distributor and given a warm home with cup holders in every seat. The European Film Market is fascinating for that reason and for the way people attend it. Tickets this year were around $600, but that’s a reasonable price for companies sending representatives trying to find the next moneymaker for their company or the hot movie to bring to their festival. That means screenings come complete with people on cell phones and unimpressed buyers walking out after ten minutes to hustle next door to see if the other movie playing has any promise to it. It’s a bizarre way to watch movies, but it makes a kind of sense given the massive size of the movie list compared to the tiny amount of time to see everything. There were upwards of 675 movies in the EFM this year, all of them with their own selling points. Here are the 87 most interesting-sounding with descriptions found in the official catalog. For the most part, I haven’t seen these movies (and didn’t even know about many of them until the Berlin Film Festival), but they all have something going for them that should earn them a spot on your radar.

Cinematographer of many a short film, Óskar Thór Axelsson, is making his feature directing debut with a Stefán Máni novel. Black’s Game focuses on the evolution of the 1990s Reykjavik underworld from a tepid endeavor to a stirringly violent one. At the center is a gang (based on no gang in particular) of drug dealers who aggressively fight for control of the trade. From the look of the trailer, things are about to get ugly. Check it out for yourself (now with convenient English subtitles!):