Movie News After Dark: Noomi in Space, Cumberbatch, A Wrong Poster and Hunting Down Billy Crystal
Movie News By Neil Miller on January 6, 2012 | Comments (1)What is Movie News After Dark? If you have to ask, then maybe it’s not for you. We begin this evening with a shot of Noomi Rapace in Prometheus. The former Girl with the Dragon Tattoo is going interstellar for director Ridley Scott, whose return to big sci-fi has made my own 5 most anticipated of 2012 short list when I delivered such picks on this week’s Reject Radio. It seems a fitting start to the final News After Dark of the week.
Movie News After Dark: Sacha the Slave Trader, General Jimmy Stewart, Luke Mullen’s Beard and All the Dials Go to Eleven
Movie News By Neil Miller on November 11, 2011 | Comments (2)What is Movie News After Dark? It’s a nightly movie news column that would like to lend apologies to those who despise brevity. Tonight’s just not a quantity kind of night. It is, however, a quality kind of night. Quentin Tarantino is now officially on a casting binge for Django Unchained, reportedly signing up Sacha Baron Cohen to play a gambler who buys Kerry Washington as his companion, thus angering the titular slave played by Jamie Foxx. I love it when he plays the villain.
The Oscars Refuse to Shake Things Up, Hire Billy Crystal as Host
Academy Awards By Nathan Adams on November 10, 2011 | Be the First To CommentThe last forty-eight hours have been tumultuous ones for this year’s Academy Awards telecast. First, the show’s producer Brett Ratner was unceremoniously asked to step down from his position after the world realized that he was a creep. Then his host, Eddie Murphy, soon followed, wishing the new producer and new host the best of luck. Fans all over the web were in an agitated state, debating who should take their places, with a large contingent actively campaigning for a very Muppet Oscars. The Academy seems to be in a bit of a panic though, because less than a day later they’ve already locked their choices down, and the replacements they found can most accurately be described as safe. First, it was announced that Brian Grazer would be the new producer. After this, speculation began to run rampant that Billy Crystal would be the most logical and easy choice for Grazer to plug in as host, seeing as he’s done the job so many times and has a seemingly endless enthusiasm for the gig. Sure enough, earlier today Crystal took to his @BillyCrystal Twitter account and made the following announcement, “Am doing the Oscars so the young woman in the pharmacy will stop asking my name when I pick up my prescriptions. Looking forward to the show.” Since then, the Academy’s official account has retweeted Crystal’s claims, making things pretty official.
Movies We Love: Throw Momma from the Train
Features By Jim Rohner on February 23, 2011 | Be the First To CommentThrow Momma from the Train (1987) The night was humid. Synopsis Larry is a neurotic writer who hates his ex-wife for stealing his book and the fortune and fame that subsequently followed. Owen is a simpleton momma’s boy who takes Larry’s creative writing class and who hates his momma for being old and curmudgeonly. For separate reasons, neither one of them is able to write a good story: Larry, bitter and distracted, has writer’s block and Owen, simple and naive, just has no concept on how to write well. To help out his student’s pathetic attempt at a murder mystery, Larry offers a simple piece of advice – eliminate the motive – that Owen unfortunately interprets to mean if he murders Larry’s ex-wife, Larry will return the favor by murdering his momma.
Culture Warrior: Ricky Gervais and the Future of Awards Show Hosting
Culture Warrior By Landon Palmer on January 18, 2011 | Comments (17)Quite a fuss has been made of Sunday night’s Golden Globes ceremony. Not the actual awards mind you – everything was safe and predictable in that arena. Not even the obvious drunkenness or awkward attempts at humor with varying degrees of success by the night’s celebrity award winners and presenters are the primary subject of the conversation (De Niro’s bizarre acceptance speech, Robert Downey Jr’s creepy framing of the Best Actress category). All discourse has been centered on the performance by the show’s host, Ricky Gervais. Gervais’s acerbic monologue was met with audible surprise and even aghast by his elite audience. His introductions to awards presenters ranged from tongue-in-cheek playfulness to blatant comic criticism. He later disappeared for more than an hour, prompting speculation on Twitter (the only place where aside observations can immediately morph into conspiracy theory) that he was taken off the show, only to emerge later, without his jacket and appearing vexed, to give quite the backhanded introduction to Tom Hanks and Tim Allen, which all-in-all does suggest at least a firm backstage talking-to. With strangely perfect timing, Gervais ended the show with the line, “And thank you to God for making me an atheist” before the generic end credits music surged. The Buñuelean echo of these final words was a rather appropriate summation of Gervais’s brilliant absurdity and anarchic irreverence peppered throughout this masturbatory rich-ual (get it?). It was, in short, hilarious and the best thing about the show. Here’s his monologue:
Kevin Carr’s Weekly Report Card: January 22, 2010
Features By Kevin Carr on January 22, 2010 | Comments (2)Kevin Carr sits his chubbiness down and sees if Tooth Fairy, Legion and Extraordinary Measures can make the grade.
Fat Guys at the Movies Ep. 149 – The Tooth Fatty
Features By Kevin Carr on January 22, 2010 | Comments (2)While Neil is off galavanting in Park City, Utah, stocking up on watching movies for the coming year at Sundance TwentyTen, Kevin is left alone in the Magical Studio in the Sky. To help keep him company is Fozzie Bare, stepping into Neil’s sizable shoes as guest host.
Movies We Love: When Harry Met Sally
Movies We Love By Paul Sileo on November 4, 2009 | Comments (3)I’m not ashamed to say that I love a good romantic comedy. Unfortunately, for every good one, there are about a hundred terrible ones. For this week’s Movies We Love, we take some time to appreciate one of the very best: When Harry Met Sally.
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