Sundance 2013 Review: You Don’t Need to Be Nuts About Jane Austen to Enjoy ‘Austenland,’ But You May Just Need to Be Nuts
Film Festivals By Kate Erbland on January 20, 2013 | Be the First To CommentObsession with fictional literary heroes is nothing new, but Austenland’s Jane Hayes (Keri Russell) has taken her love for Jane Austen’s (again, fictional) Mr. Darcy and the Regency-era world he (as written in a fictional novel) inhabited in Austen’s (still fictional, Jane) “Pride & Prejudice” to new lows. While the source material for Jerusha Hess’s film, Shannon Hale’s very popular novel of the same name, found its heroine focusing her attentions on a still more fake Darcy – the one played by Colin Firth in the also very popular but not entirely true to Austen’s work BBC miniseries version of “Pride & Prejudice” – Hess wisely expands Jane’s obsession to apply more thoroughly to the rest of Austen’s work and her Regency Era. It is perhaps one of the few wise choices made in service to the adaptation, as Hess’s film, though frequently funny, is almost disastrously goofy and doofy, headed up by a poorly-drawn leading lady who, had she not been played by someone as lovely as Russell, would be the target of scorn by everyone she meets. We quickly learn that Russell’s Jane has been obsessed with Mr. Darcy for most of her life, with Hess kicking off the film with an amusing sequence of flashbacks that show Jane progressing through her teen years and on into adulthood with a moony-eyed stare (always looking for her own Darcy) and a ratty “I (heart) DARCY” tote bag. Her best friend is aware of her obsession, her workmates must be
Experience Sundance 2013: Early Wake-Up Calls and ‘Mud’-dy Endings
Features By Allison Loring on January 20, 2013 | Be the First To CommentWhenever Sundance begins again and I prepare to head back to Park City, one word comes to my mind: early. Because every time I have headed off to the snowy mountains that surround this festival, I find myself — and I know many others do as well — setting my alarm for the wee hours to get up, get to the airport, and get to the festival with hopes of making the most of those precious few hours left in the day by the time I arrive. This is especially true for me, as I usually get in on the official third day of the festival and screenings are well under way. But the second I’m here, that early wake up call is a distant memory and it feels like I’m back in a home away from home (granted this home is a bit colder and I have to be even more careful not to slip and fall while walking), getting back into the festival swing of things.
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