Wes Anderson loves family dramas dressed as fantasies, and this notion is no less palpable with The Royal Tenenbaums, the film that essentially set him on the map. A lot of us remember finding Bottle Rocket in video stores or trekking out with friends to see Rushmore, but that was mostly because of Bill Murray. The Royal Tenenbaums was the movie that made people realize this voice in the world of independent film making had arrived. 11 years later, and Anderson’s latest, Moonrise Kingdom, another light-hearted drama made to look like a fable, is upon us. However, we felt it was time to go back and see exactly what the writer/director had to say about his pinnacle film, The Royal Tenenbaums. There’s sure to be references of French movies and anecdotes about writing with Owen Wilson, but that’s the obvious stuff. We’ve got 28 more items beyond that. So help yourselves with what we learned from the commentary for The Royal Tenenbaums. Cue the Elliott Smith.

This week, Fat Guy Kevin Carr is all giddy because apparently Joseph Gordon-Levitt has decided to copy his signature hairstyle. Undeterred by folks telling him Gordon-Levitt shaved his head to play the role in 50/50, Kevin tries to lobby other Hollywood actors to copy his image. Unfortunately, What’s Your Number? star Chris Evans refuses to grow a huge belly and Dream House star Daniel Craig just won’t latch onto Kevin’s charming American accent.

A little peek into the tiny world of Wes Anderson’s Stop-Motion

For the record, Clark Gregg did not have his fly down for the entire interview.

Seven minutes into my conversation with Chuck Palahniuk, I’m still not sure that he exists.

To illustrate the raunch, Fox Searchlight has released the following red band trailer, which is about as NSFW as they come.

Fox Searchlight announces a date for its Chuck Palahniuk penned Sundance ’08 acquisition…

From the writer of Fight Club comes a dark comedy about sexual addiction that is a joy to behold.

Take a look at the first official stills from the upcoming adaptation of Chuck Palahniuk’s novel.