While the 2013 Sundance Film Festival is in full swing this weekend, we thought it would be fun to look back a decade and remember the best films of the 2003 event. The award winners that year include American Splendor, Capturing the Friedmans, All the Real Girls, My Flesh and Blood, The Station Agent, Stevie, Thirteen, A Certain Death and Whale Rider. And other major movies premiering at the fest include The Cooler, The Shape of Things, Tupac: Resurrection, Pieces of April, The Weather Underground, Northfork and the Bob Dylan disaster Masked and Anonymous. The U.S. also got its first look at 28 Days Later, In America, Bus 174, Bend It Like Beckham, Laurel Canyon, The Secret Lives of Dentists and Irreversible. To commemorate such a great Sundance (which spotlighted some filmmakers returning this year, like David Gordon Green and Michael Polish), we’re spotlighting some of our favorite scenes from some of the movies listed above. Not all have quality clips online, though, and it would be too much to include bits from all those works we love from the 2003 program, so feel free to add your own favorite moment in the comments below.

Here’s something you won’t hear me say very often – thank you, Hollywood. David Gordon Green has long been my go-to choice when naming my favorite contemporary filmmaker, what with his stunning works like George Washington, All the Real Girls, Snow Angels, even his crack at a thriller, Undertow. DGG’s first four features were all finely tuned dramas that, while all different, seemed to fit into one vision – one clear, dramatic, character-driven vision. And then came Pineapple Express. While I am a fan of DGG’s stoner comedy, there’s a part of me that hates it, because his success with that film led directly to his ability to make the dismal Your Highness, and a continued spiral into films that seem to rely on cheap comedic conceits for the giggles (marijuana! medieval thingies! James Franco!). Next up, The Sitter, a Jonah Hill-starring affair that, at worst, looks like a direct rip-off of Adventures in Babysitting. Are my expectations low? Yes. And that does not make me happy to type. But there may be a light at the end of the tunnel. Columbia Pictures is reportedly in final negotiations to buy the rights to Evan Mandery‘s novel “Q,“ which was published just this last August. Should the deal go through, Green would write and direct the adaptation, which is blissfully described as “an unconventional love story.” Swoon.