When I write this column, I typically don’t get the opportunity to write about movies from my teen years. I, like many, came into a cinephilic love for art and foreign cinema during college, and in that process grew to appreciate The Criterion Collection. Richard Linklater’s Dazed and Confused (1993), however, is a movie that’s followed me through various changes in my life for (I’m just now realizing as I write this) about half of my time thus far spent on Earth.

(Untitled) is a sharp satire, pitched at a precise tone, that’s the perfect movie for anyone who’s ever questioned what makes some modern art, art.

Fans of this year’s underground internet sensation turned box office flub Grindhouse will know exactly who I am talking about when I say the name Marley Shelton. That is, as long as you stuck around for the credits.