Last month we featured one of Kees van Dijkhuizen‘s director tribute montages, the one for Michel Gondry. He did an excellent job showing off the visual power of Gondry, as well as David Fincher, Sofia Coppola, Wes Anderson, Danny Boyle, and Baz Luhrmann. Now he’s cut together a video to showcase the God-like power of Pixar. It’s not like any of us need a reminder of Pixar‘s ability to make us shed waterfalls and get oversized lumps in our throats, but Dijkhuizen does a damn good job of doing so. Heart and wonder is what the studio does best, and this montage perfectly encapsulates how they do it Prepare to feel like a child again:

The cinematic doppelganger effect seems to happen on a cyclical basis. Every few years, a pair of movies are released whose concepts, narratives, or central conceits are so similar that it’s impossible to envision how both came out of such a complex and expensive system with even the fairest amount of awareness of the other. Deep Impact and Armageddon. Antz and A Bug’s Life. Capote and Infamous. Paul Blart: Mall Cop and Observe and Report. And now two R-rated studio-released romantic comedies about fuck buddies played by young, attractive superstars have graced the silver screen within only a few short months of each other. We typically experience doppelganger cinema with high-concept material, not genre fare. To see two back-to-back movies released about the secret life of anthropomorphic talking insects, a hyperbole-sized rock jettisoning towards Earth’s inevitable destruction, a Truman Capote biopic, or a movie about a mall cop seem rare or deliberately exceptional enough as a single concept to make the existence of two subsequent iterations rather extraordinary. Much has been made of the notion that Friends with Benefits is a doppelganger of No Strings Attached (the former has in more than one case been called the better version of the latter), but when talking about the romantic comedy genre – a category so well-tread and (sometimes for better, sometimes not) reliably formulaic that each film is arguably indebted to numerous predecessors – can we really say these films are doppelgangers in the same vein as the high-concept examples, or [Due to Content Scraping and Theft, we have been forced to try abbreviated feeds. We apologize for any inconvenience this may cause and woud very much appreciate you clicking through to view the full article on FilmSchoolRejects.com]

This week the world famous FSR Blu-ray column changes formats again. We told Exec. Editor Neil Miller not to do it, but he just kept saying “I’m the Boss, deal with it.” Hopefully you like it…