Lions For Lambs

Posted by Kevin Carr (kevin@filmschoolrejects.com) on November 10, 2007

post-lions1.jpgIt’s no surprise that Lions for Lambs, Hollywood’s latest anti-U.S. stab at propaganda, is a preachy mess. It’s directed by ultra-liberal Robert Redford at a time when Hollywood is desperately trying to be politically significant with their pop culture commentary. Sadly, like its predecessors, this film fails more out of boredom than message. Actually, a more appropriate title for Lions for Lambs could be Lamenting for Liberals.

This disastrous snoozefest features endless scenes of people talking, bridged by a handful of would-be action scenes in Afghanistan. The story follows two Army Rangers who are shot down in the Afghan mountains. This is part of plucky Senator Jasper Irving (Tom Cruise), who is desperately trying to convince a reporter (Meryl Streep) that his military plan is a good one.

Meanwhile, at “A California University” (no joke, this is actually what it is ambiguously called in the film), director Robert Redford plays a professor trying to convince a failing student to stop being a slacker and become an intellectual like himself.

This is the latest in a string of political posturing from Hollywood, and none of these movies have been anything more than a disappointment – with the exception of The Kingdom, which was arguably more like CSI: Riyadh than actually an intellectual political film. Only a few weeks ago, Rendition opened at a dismal ninth during a weekend where the top film grossed only $16.5 million.

I don’t think people are necessarily tired of the war. They’re just sick of hearing about it. It’s all over cable news, permeating network newsbreaks, in papers, on the radio, on the Yahoo splash page when you check your frakking email and even when you sign onto to MobileWeb account from your cell phone. It doesn’t help that these movies haven’t been particularly well made, regardless of political position.

The biggest sin that Redford commits in his directorial disaster is not just to preach to the audience, but to scold them as well. There’s one key scene near the end of the movie where both Redford and Meryl Streep launch into a diatribe about how the real culprits aren’t the Republicans in office (since they are too far gone for forgiveness, after all), but us because we just sit around and let it happen.

While Redford is trying to be topical and significant, he insults his audience. I can’t stand being preached at in a film – whether I agree with the message or not. But what’s even worse than that is to be scolded for not agreeing with the director.

Well, to that, I say, shame on you, Robert Redford. Shame on you for making such a boring movie. Shame on you for ramming your political message down our throats with boring talking heads. Shame on you for being so self-righteous that you can’t fathom a thinking person with a dissenting opinion. And shame on you for the way you paint our men and women in uniform as clueless airheads with pie-in-the-sky dreams.

The worst part about this film is that you can’t blame the incompetent filmmaking on a green director with no experience. No, Redford is a phenomenal director, and he should know better.

Sadly, Lions for Lambs is the flagship launch for United Artist under the regime of Tom Cruise. His ego is displayed in this film with plenty of close-ups and a pretentious starring role. If this is the sign of what is to come from United Artists, I have to say that Paramount made the right decision to drop this wacko Scientologist before he did too much damage to their business.

The only saving grave of Lions for Lambs is its merciful 88-minute running time. Of course, that didn’t stop the movie from feeling like it clocked in a 2 1/2 hours. Still, when its butting head with The Assassination of Jesse James by the Coward Robert Ford for the most boring film of the year, the short screen time makes it at least tolerable.

The Upside: It’s short, thank God.

The Downside: Based on its message alone, it will get more attention than it should.

On the Side: They showed a trailer for Valkyrie before our screening, which features Tom Cruise as a Nazi whose German accent is as impressive as Kevin Costner’s English accent from Robin Hood: Prince of Thieves.

Grade: D

Lions for Lambs Poster Release Date: November 9, 2007
Rated: R for some war violence and language.
Running Time: 88 min.
Cast: Tom Cruise, Robert Redford, Meryl Streep, Michael Pena, Derek Luke, Peter Berg
Director: Robert Redford
Screenplay: Matthew Michael Carnahan
Studio: United Artists
Official Website: LionsforLambs.com


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  • Loukas
    It's totally insulting for any thinking individual.

    Politics-4-dummies is probably more sophisticated than Redford's selfimportant piece of crap.
  • Frank L. Goodwins
    [IN THE INTRODUCTORY PARAGRAPH, THE CRITIC SAYS NOTHING ABOUT THE FILM, INSTEAD GIVING US HIS OPINION ON HIS PERCEPTION OF THE POLITICAL SLANT OF HOLLYWOOD PROPAGANDA, HIS OPINION ON HIS PERCEPTION OF THE POLITICAL STANCE OF THE DIRECTOR, AND CONFESSING HIS "BOREDOM" WITH CONTENT HE OBVIOUSLY DOESN'T HAVE THE MENTAL CAPACITY TO GRASP (ELSE HE WOULD HAVE BEEN ABLE TO COMMENT ON IT). WHEN A CRITIC CAN DO NOTHING IN HIS FIRST PARAGRAPH BUT SPEW SELF-INDULGENT BULL, IT IS TIME TO STOP READING AND MOVE ON TO A CRITIQUE OF SUBSTANCE, LEST WE WASTE OUR TIME INSULTING THOSE TOO DENSE TO BE INSULTABLE.]
  • Frank -- You obviously have a problem with the first paragraph of a lot of our reviews... I think we should explore this. What about your childhood makes you hate movie critics that can't write a good first paragraph?

    Would you like to write your own first paragraph for us? I think that in order for our writers to live up to your (currently mysterious) standards, we are going to need an example of what a good first paragraph is...
  • Frank, that's right. I just couldn't grasp the complexity of this film. Here's a revised first paragraph...

    "Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz."

    Work better for ya?
  • Kevin Carr's review is so insultable, I find myself at the height of my insultability...Kevin should show more insultinglessness in his writing.Goodwin is the man
  • Brian, I'm insulted.
  • Frank L. Goodwins
    Kevin: Meet the new intro... same as the old intro!
    But thanks for responding to my comments. You've got one thing seriously wrong, though. I don't hate the critic. I hate the review, or more specifically, the critic's failure to give any real critique, and to replace it with mindless opinion, which means nothing to me.

    Perhaps you could look at my response to Nate's comments on my comments.

    Thanks... Frank
  • Frank,

    Thanks for the response. I did check out your comment on Nate's review. I can see your frustration, but I think you're failing to see that a review is exactly a person's opinion. It's not meant to analyze or even give insight into the film to extract a greater understanding. A review is meant to give the critic's opinion of the film.

    I wasn't going to bog myself down with debating the strawman arguments and platitudes put forth in the film. Rather, my opinion is that it was a talky, boring mess of a film precisely because of what it was.

    Also, I think it is entirely appropriate to launch a review with the political background of the film and the critic. In fact, I've been criticized for not doing that enough in a review like this. Ultimately, my big complaint was that the film was nothing but propaganda for Redford and company's liberal ideals, which I don't necessarily agree with.

    Ultimatley, I think I gave a rather decent analysis of why the film fails as a movie and why it ultimately failed at the box office.

    K
  • Frank L. Goodwins
    OK, Kevin, of course I expect you to stick to your guns. And you might remember that my original comments here just explained why I refused to read past the first paragraph, because I am looking for reviews that will give me analysis and insight about what happens on the screen. I think you're probably right that the vast majority of reviews are just giving their opinion of the film. I think all of these people are in the wrong business. They should be culinary critics. Tell me whether you like the burgers from McDongle or BurgerPrince better. Tell me how it tasted to you. Lots of people want to know. I'm just not one of them. If I did want to know about the burgers, I'd go try one myself. If you wanted to write your review for me, I'd like you to skip telling me the opinion part of your review, and focus on why you hold that opinion. Something like: I liked the movied because of the fact that Tom Cruise has a new haircut. Now tell me something about his haircut... something about why you decided you liked it. Do you see how this is different than telling me your opinion about beef flesh? You can't say anything significant about the beef, other than it tickled your palate or it didn't. With movies, you can deal with ideas. And the funny thing about this analogy is that with films, if you take the time to analyze and dig for insight, the taste of the burger actually changes, which doesn't happen in the restaurant!


    So, in your vehemence at trying to convey the bitter taste this film leaves in your mouth, you actually start to touch upon the substance of the film, but as I see it, each time you get it wrong. You say the professor is trying to motivate the slacker to become an intellectual like himself. I think you didn't listen to the dialog carefully enough. Prof sees the potential in the student, and tries to help him free himself from the pervasive apathy of his slacker-generation values. He tells you point blank that doing this is what has made his career worthwhile to himself. Why should we doubt him? Or what evidence do we have that he really is recruiting for the intelligensia? What is great is the way the dialog proceeds, and there you could make some significant comments, whether you took the side of the prof or the student, instead of dismissing it all as "straw arguments and platitudes" without a single example of how you came to that conclusion. As you might have seen from my review of Elley, I think the real purpose of the whole college scene in the movie was to illustrate the decision-making process for the students who became soldiers, and that Todd Hayes, just like the audience, is really just a witness, left to make up his own mind about it all.

    What I applaud is how well Redford captured the dynamic of what is going on in our culture today. I cannot for the life of me understand how people are raging about the moving being liberal propaganda. I want someone to take some scene or statement from the movie and explain what they think it means, and why. But sadly, most people, despite... or rather because of the fact that people are constantly being assaulted with news and media spin... are unable to clearly grasp the situation, so they fall back to their "party line". I thought this movie did a good job of letting people see the issue clearly... which could only help to move toward a solution. If you think Redford is putting a spin on it, point it out, referring to the film, and then you would have written a review I could read.

    Last point. You cast shame on Redford ... shame, by the way, being a way of stopping the dialog... instead of engaging him on the issues. ( Funny thing, that point of view was examined in the dialog with student Hayes.) Here's a comment from a response to my review of Elley by Loukas:

    There is nothing idealistic about being a professional soldier, it’s pure extortion by the state of a class-based economy and of course it affects only the underprivileged.

    So, here we have someone's opinion. But what Redford did was give us "what if" picture. What if there were an American who thought that being a professional soldier could be idealistic? What would that person be like? What would they say? How would they defend their position? What would be the consequences of that decision. Once you have the example up on the screen, then you can talk about it in context.... which offers hope that in the process of examination, common sense might be forged. And you are free to make the case that the soldiers on the screen are just the victims of extortion by a class-based economy. Point out what is missing from the film, what isn't believable, what doesn't ring true. The only restiction, of course, is that you need to stick to the film. You have to work with the scenario on the screen, not whatever ideas you want to bring in for whatever ax you want to grind. How could you rewrite the scene in the college where Malley's class debates the two would-be-soldiers, exposing the extortion of the class-based economy?

    So you see, far from casting shame on Redford, I applaud him for creating a work of art that engages people, and helps them get a handle on the issues important to their lives.

    Thanks again.... Frank
  • George Stasny
    Frank,

    Did you read past the first paragraph? Also, it's okay that you don't like this guy's review, but do you really need to type in ALL CAPS to get your point across? Way to legitimze liberal stereotypes there, kiddo.
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