Fox’s Friday Blues: Is Dollhouse’s Future Really That Bright?

Posted by Michelle Graham (michelle@filmschoolrejects.com) on May 18, 2009

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This is the news I have been waiting months to report, at least in part. Whilst it gives no pleasure to report that Terminator: The Sarah Connor Chronicles (T:SCC) is no more, having been cruelly axed after weak ratings performance, there is an enormous flash of silver within this dark cloud. The unthinkable has happened. Dollhouse, despite lagging ratings in the last few episodes, has been renewed. Fox execs. are apparently petrified that the Whedonites will either abandon ship or attack their headquarters if another of the Joss-master’s shows goes the way of Firefly, and so have granted a second season to the drama. Rumblings persist that only one of the two floundering Friday night dramas could stay on, and it seems that Dollhouse has won the battle and will live to fight another day, while T:SCC fades into memory.

News of this started leaking late last week, but it seemed too good to be true. Whilst the show’s content has only increased in strength from episode 6 of the season, Dollhouse never quite won the ratings battle, toughing it out in a dead end spot on the Friday night timetable. As with T:SCC, the ratings never lived up to shows such as Ghost Whisperer, a Friday night fave, and cancellation seemed assured. Some have posited that Dollhouse has been granted the same sort of reprieve given to T:SCC itself last year. Another season to sort itself out and gain traction in the audience stakes, but if it doesn’t perform better next time, it’s out.

T:SCC had a tough time of it this year, it was moved from a decent night to a dismal one and it had to deal with quite a deep lull in plot mid-way through the season which didn’t help in viewer retention. However, the ratings were stabilizing and even increasing towards the end of the season and the plot was skyrocketing off. Indeed, one very interesting theory was posted over on MTV, saying that the people behind T:SCC were even doing the unthinkable and repairing the paradox regarding John Connor sending his own father back to father him. Yet even with the might of Terminator Salvation’s publicity kicking in and bolstering possible numbers for next season, the show was, in a word, terminated. Whether Dollhouse’s destiny is to follow in these footprints and survive only one more season remains to be seen, but one thing’s for sure. It’s nice to know it’ll be back.

What do you think, will Dollhouse go the way of Terminator: The Sarah Connor Chronicles after its second season?


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  • reality
    Sarah Connor got canned simply because the ratings weren't there and it was only kept on for this season because Warner Bros (who produced the show and own the Terminator property) slashed the licensing fee's for the purpose of using the show as promotional material for the new Salvation flick. When you consider the two stories, TSCC and Salvation have very little in common, what is the benefit to WB to continue to devalue the licensing fee's? Salvation is going to be out, and thus TSCC isn't needed anymore. Sarah Connor was right there with Lost in my book of good television, so I hate this.

    Dollhouse is still around because Joss showed the network that he could produce an episode of the show for peanuts (the unaired 13th episode DVD extra "Epitaph pt 1.) Plus it has strong DVR numbers. I like the show, but doubt it will pull in any new viewers next season considering the shitty fri. 9pm timeslot.

    Fringe has potential to run for 4-5 years, there is a lot of mythology there. Happy it is staying around.

    Out of the three, I would personally rather see TSCC but two out of three ain't bad.
  • Thanks for realizing this. I published this on I09 and a lot of people jumped down my throat. TSCC was only being used by FOX as a promo for the movie and didn't get good ratings anyway
  • Fringe and Dollhouse, unlike TSCC are stand alone programs, not unlike X Files which ran way beyond its prime and still drew viewers.
  • reality
    Well, TSCC, Fringe, and Dollhouse are all serializn theed dramas with the potential for "stand-alone" episodes. Serialized shows like this (i.e. Lost) take an investment in the viewers lives. Ironic in the age of DVR that the average American TV viewer still can't find the time and or deductive brainpower to follow a basic story. So bring on the situational gladiators, the "american idol", the dancin star, the "survivor", because at the end of the day, we all want to be the roman citizen that gives the coleseum "thumbs up/ or down" to the losing party. Gladiator's are now contestants
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