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	<title>Comments on: WGA Strike: WGA Says NO to Awards Show Waivers</title>
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		<title>By: Cole Abaius</title>
		<link>http://www.filmschoolrejects.com/news/wga-strike-wga-says-no-to-awards-show-waivers.php/comment-page-1#comment-81354</link>
		<dc:creator>Cole Abaius</dc:creator>
		<pubDate>Tue, 18 Dec 2007 15:50:06 +0000</pubDate>
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		<description>The real tragedy of the Oscars isn&#039;t going to be losing the pre-written material. I love Bruce Vilanch as much as the next guy, but patter is never really that interesting. What will destroy the broadcast is the Guild&#039;s refusal to allow any clips from movies or past Oscar broadcasts.

I&#039;m still trying to comprehend the idea of an awards show of that magnitude without writers. Without show clips. How will they even salute the friends we&#039;ve lost this year? I might even tune in just to see how someone pulls off such a feat.

When I worked the show last year, one of the jobs I had was as a go-between for the writers and the script department. A department that used several reams of paper a day. I imagine that entire department sort of gets cut out without, you know, a script.

And what constitutes a script anyway? It&#039;s not just what the presenters say. There&#039;s blocking, entrances, exits. How do you put on a show without planning that all out?

Ultimately, I think I&#039;m glad I won&#039;t be in the basement of the Kodak Theater this year.</description>
		<content:encoded><![CDATA[<p>The real tragedy of the Oscars isn&#8217;t going to be losing the pre-written material. I love Bruce Vilanch as much as the next guy, but patter is never really that interesting. What will destroy the broadcast is the Guild&#8217;s refusal to allow any clips from movies or past Oscar broadcasts.</p>
<p>I&#8217;m still trying to comprehend the idea of an awards show of that magnitude without writers. Without show clips. How will they even salute the friends we&#8217;ve lost this year? I might even tune in just to see how someone pulls off such a feat.</p>
<p>When I worked the show last year, one of the jobs I had was as a go-between for the writers and the script department. A department that used several reams of paper a day. I imagine that entire department sort of gets cut out without, you know, a script.</p>
<p>And what constitutes a script anyway? It&#8217;s not just what the presenters say. There&#8217;s blocking, entrances, exits. How do you put on a show without planning that all out?</p>
<p>Ultimately, I think I&#8217;m glad I won&#8217;t be in the basement of the Kodak Theater this year.</p>
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		<title>By: Cole Abaius</title>
		<link>http://www.filmschoolrejects.com/news/wga-strike-wga-says-no-to-awards-show-waivers.php/comment-page-1#comment-183722</link>
		<dc:creator>Cole Abaius</dc:creator>
		<pubDate>Tue, 18 Dec 2007 15:50:00 +0000</pubDate>
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		<description>The real tragedy of the Oscars isn&#039;t going to be losing the pre-written material. I love Bruce Vilanch as much as the next guy, but patter is never really that interesting. What will destroy the broadcast is the Guild&#039;s refusal to allow any clips from movies or past Oscar broadcasts.

I&#039;m still trying to comprehend the idea of an awards show of that magnitude without writers. Without show clips. How will they even salute the friends we&#039;ve lost this year? I might even tune in just to see how someone pulls off such a feat.

When I worked the show last year, one of the jobs I had was as a go-between for the writers and the script department. A department that used several reams of paper a day. I imagine that entire department sort of gets cut out without, you know, a script.

And what constitutes a script anyway? It&#039;s not just what the presenters say. There&#039;s blocking, entrances, exits. How do you put on a show without planning that all out?

Ultimately, I think I&#039;m glad I won&#039;t be in the basement of the Kodak Theater this year.</description>
		<content:encoded><![CDATA[<p>The real tragedy of the Oscars isn&#8217;t going to be losing the pre-written material. I love Bruce Vilanch as much as the next guy, but patter is never really that interesting. What will destroy the broadcast is the Guild&#8217;s refusal to allow any clips from movies or past Oscar broadcasts.</p>
<p>I&#8217;m still trying to comprehend the idea of an awards show of that magnitude without writers. Without show clips. How will they even salute the friends we&#8217;ve lost this year? I might even tune in just to see how someone pulls off such a feat.</p>
<p>When I worked the show last year, one of the jobs I had was as a go-between for the writers and the script department. A department that used several reams of paper a day. I imagine that entire department sort of gets cut out without, you know, a script.</p>
<p>And what constitutes a script anyway? It&#8217;s not just what the presenters say. There&#8217;s blocking, entrances, exits. How do you put on a show without planning that all out?</p>
<p>Ultimately, I think I&#8217;m glad I won&#8217;t be in the basement of the Kodak Theater this year.</p>
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