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	<title>Comments on: Two Filmmakers&#8217; Views on Movie Piracy</title>
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	<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php</link>
	<description>A Website About Movies</description>
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		<title>By: David</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-166289</link>
		<dc:creator>David</dc:creator>
		<pubDate>Sun, 06 Jun 2010 23:24:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-166289</guid>
		<description>At the risk of being a troll, the problem I have is that filmmakers/industry are playing with this relatively new distribution medium with incredible potential and trying to smash it into a box that looks and feels just like all the previous media.</description>
		<content:encoded><![CDATA[<p>At the risk of being a troll, the problem I have is that filmmakers/industry are playing with this relatively new distribution medium with incredible potential and trying to smash it into a box that looks and feels just like all the previous media.</p>
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		<title>By: Joel</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-230734</link>
		<dc:creator>Joel</dc:creator>
		<pubDate>Sun, 23 May 2010 15:09:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-230734</guid>
		<description>Test driving a car is like watching a trailer or reading a review. It&#039;s a PREVIEW of what that product is not the whole thing. I highly doubt any dealership would let you test drive a car for 10 years to find out if you like it. The same with TV&#039;s and DVD players, you can&#039;t return the product after you&#039;ve &quot;consumed&quot; it or used it for its life span because you don&#039;t like it.</description>
		<content:encoded><![CDATA[<p>Test driving a car is like watching a trailer or reading a review. It&#8217;s a PREVIEW of what that product is not the whole thing. I highly doubt any dealership would let you test drive a car for 10 years to find out if you like it. The same with TV&#8217;s and DVD players, you can&#8217;t return the product after you&#8217;ve &#8220;consumed&#8221; it or used it for its life span because you don&#8217;t like it.</p>
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		<title>By: Darren Albert</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-165375</link>
		<dc:creator>Darren Albert</dc:creator>
		<pubDate>Sun, 23 May 2010 13:59:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-165375</guid>
		<description>The concept of Ink seems to be that we exist in time (aka John&#039;s physical life) and outside of time (John&#039;s soul life as an Incubus). In John&#039;s case his physical existence had doomed his soul, but to commit it to darkness for eternity his mission is to complete that act by dooming his daughters soul too. But when he is sent back &quot;into time&quot; to kidnap his daughter prior to the physical world events that doomed his soul (aka his suicide) the potential to change his physical world future begins to unfold. That is essentially the story of Ink. It&#039;s not so much the rescue of his daughter as it is the rescue of John&#039;s soul by changing the past of his physical existence that doomed it in the first place.</description>
		<content:encoded><![CDATA[<p>The concept of Ink seems to be that we exist in time (aka John&#39;s physical life) and outside of time (John&#39;s soul life as an Incubus). In John&#39;s case his physical existence had doomed his soul, but to commit it to darkness for eternity his mission is to complete that act by dooming his daughters soul too. But when he is sent back &#8220;into time&#8221; to kidnap his daughter prior to the physical world events that doomed his soul (aka his suicide) the potential to change his physical world future begins to unfold. That is essentially the story of Ink. It&#39;s not so much the rescue of his daughter as it is the rescue of John&#39;s soul by changing the past of his physical existence that doomed it in the first place.</p>
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		<title>By: Cole_Abaius</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-165374</link>
		<dc:creator>Cole_Abaius</dc:creator>
		<pubDate>Sun, 23 May 2010 13:32:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-165374</guid>
		<description>I&#039;ll operate under the assumption that you have some sort of proof that the torrenting of the film earned money for it.</description>
		<content:encoded><![CDATA[<p>I&#39;ll operate under the assumption that you have some sort of proof that the torrenting of the film earned money for it.</p>
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		<title>By: Matt</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-165367</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Sun, 23 May 2010 06:30:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-165367</guid>
		<description>To deny that the torrent raised awareness and profitability for Ink is to deny basic facts.  Don&#039;t do it just to try and be anti-piracy, as it just makes you look petty.</description>
		<content:encoded><![CDATA[<p>To deny that the torrent raised awareness and profitability for Ink is to deny basic facts.  Don&#39;t do it just to try and be anti-piracy, as it just makes you look petty.</p>
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		<title>By: Scott</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-230732</link>
		<dc:creator>Scott</dc:creator>
		<pubDate>Sat, 22 May 2010 14:21:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-230732</guid>
		<description>You can test drive cars. You can return stereos if the sound quality isn&#039;t right. You can return TV&#039;s, DVD players, etc. Those all fall under the same ideal of being able to test the product to see if you truly want it. it&#039;s not an unreasonable stance. It&#039;s a pragmatic approach to a market that is so volatile in terms of quality. </description>
		<content:encoded><![CDATA[<p>You can test drive cars. You can return stereos if the sound quality isn&#8217;t right. You can return TV&#8217;s, DVD players, etc. Those all fall under the same ideal of being able to test the product to see if you truly want it. it&#8217;s not an unreasonable stance. It&#8217;s a pragmatic approach to a market that is so volatile in terms of quality.</p>
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		<title>By: Anonymous</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-230731</link>
		<dc:creator>Anonymous</dc:creator>
		<pubDate>Sat, 22 May 2010 10:14:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-230731</guid>
		<description>I was going to say that films are different because you pay for the opportunity to go into a theater, not for the film itself (you could easily buy a ticket and not go in, just like you can pay for a hamburger but not eat it).

Then I realized that all products are like that. Price can be used as a guide for expectations, but even the most expensive steak might not be worth the price. 

The problem seems to be that with movies, unlike a burger or steak at a restaurant, the consumer has no direct recourse if they aren&#039;t happy. If you hate a burger, you don&#039;t go back to the restaurant, but if you hate a movie, all you&#039;re left to do is not see that particular director&#039;s or actors&#039; work again. And even that is misleading.

Still, the world is not a free sampler. You pay for the movie, and if you&#039;re unhappy, then that&#039;s tough. It&#039;s the consumers job to protect their own money.

But if you pirate the film out of some misplaced entitlement to entertainment, you&#039;re not only pissing on the filmmakers, you&#039;re giving a big middle finger to true film fans who go pay for the movie ticket (that they could have easily pirated) because they actually respect the work of filmmakers and don&#039;t act like petulant children who believe they deserve something other people worked hard on for free.</description>
		<content:encoded><![CDATA[<p>I was going to say that films are different because you pay for the opportunity to go into a theater, not for the film itself (you could easily buy a ticket and not go in, just like you can pay for a hamburger but not eat it).</p>
<p>Then I realized that all products are like that. Price can be used as a guide for expectations, but even the most expensive steak might not be worth the price. </p>
<p>The problem seems to be that with movies, unlike a burger or steak at a restaurant, the consumer has no direct recourse if they aren&#8217;t happy. If you hate a burger, you don&#8217;t go back to the restaurant, but if you hate a movie, all you&#8217;re left to do is not see that particular director&#8217;s or actors&#8217; work again. And even that is misleading.</p>
<p>Still, the world is not a free sampler. You pay for the movie, and if you&#8217;re unhappy, then that&#8217;s tough. It&#8217;s the consumers job to protect their own money.</p>
<p>But if you pirate the film out of some misplaced entitlement to entertainment, you&#8217;re not only pissing on the filmmakers, you&#8217;re giving a big middle finger to true film fans who go pay for the movie ticket (that they could have easily pirated) because they actually respect the work of filmmakers and don&#8217;t act like petulant children who believe they deserve something other people worked hard on for free.</p>
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		<title>By: conor</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-158724</link>
		<dc:creator>conor</dc:creator>
		<pubDate>Tue, 01 Dec 2009 08:54:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-158724</guid>
		<description>i think its ment to represent being in limbo</description>
		<content:encoded><![CDATA[<p>i think its ment to represent being in limbo</p>
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		<title>By: Osiris3657</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-158723</link>
		<dc:creator>Osiris3657</dc:creator>
		<pubDate>Tue, 17 Nov 2009 09:44:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-158723</guid>
		<description>Hey Cole, maybe you can enlighten me. This isn&#039;t regarding piracy, but Ink itself. I thought I had everything figured out until it turns out SPOILER Ink is John...what the hell? All the people in the alternate dreamworld are the souls of dead people, and there were some scenes depicting John committing suicide. Anyway if John isn&#039;t actually dead and he ends up saving Emma by over coming his grief and greed for money and power, then who really is Ink? END SPOILER I give up...for what it&#039;s worth, I enjoyed it. By the way I streamed it via Netflix instead of downloading it, hooray for me.</description>
		<content:encoded><![CDATA[<p>Hey Cole, maybe you can enlighten me. This isn&#39;t regarding piracy, but Ink itself. I thought I had everything figured out until it turns out SPOILER Ink is John&#8230;what the hell? All the people in the alternate dreamworld are the souls of dead people, and there were some scenes depicting John committing suicide. Anyway if John isn&#39;t actually dead and he ends up saving Emma by over coming his grief and greed for money and power, then who really is Ink? END SPOILER I give up&#8230;for what it&#39;s worth, I enjoyed it. By the way I streamed it via Netflix instead of downloading it, hooray for me.</p>
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		<title>By: Dave</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-153434</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Mon, 16 Nov 2009 21:57:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-153434</guid>
		<description>While I agree with your father that if you paid for it and just didn&#039;t like it then tough, in almost all consumer areas there is at least some correlation between product quality and price (i.e. you get what you pay for and price can be used as a guide for expectation) but with movies no matter the quality (or lack thereof) the ticket price is the same.</description>
		<content:encoded><![CDATA[<p>While I agree with your father that if you paid for it and just didn&#39;t like it then tough, in almost all consumer areas there is at least some correlation between product quality and price (i.e. you get what you pay for and price can be used as a guide for expectation) but with movies no matter the quality (or lack thereof) the ticket price is the same.</p>
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		<title>By: Dave</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151045</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Mon, 16 Nov 2009 15:57:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151045</guid>
		<description>While I agree with your father that if you paid for it and just didn&#039;t like it then tough, in almost all consumer areas there is at least some correlation between product quality and price (i.e. you get what you pay for and price can be used as a guide for expectation) but with movies no matter the quality (or lack thereof) the ticket price is the same.</description>
		<content:encoded><![CDATA[<p>While I agree with your father that if you paid for it and just didn&#39;t like it then tough, in almost all consumer areas there is at least some correlation between product quality and price (i.e. you get what you pay for and price can be used as a guide for expectation) but with movies no matter the quality (or lack thereof) the ticket price is the same.</p>
]]></content:encoded>
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		<title>By: david</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-229608</link>
		<dc:creator>david</dc:creator>
		<pubDate>Mon, 16 Nov 2009 15:34:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-229608</guid>
		<description>I know Jamin &amp; Kiowa, and they are great couple, filmmaking team. They knew this would happen. If anything, I know they want to go into this new terriroty to build an audience for their work, but now is the test whether piracy will work for the indies.

Personally, and I am sure they feel this way, 500,000 illegal downloads is not lost sales. Most of those people would probably never have been aware of the film if it was not for bi torrent, and would not have bought it.

Positve side, each one of those people only needs to tell one or two friends about the film, and then they might find fans there that will also be the dvd, other content. So its not negative. In terms of from an indies standpoint who have no marketing money like studios.

I think the future is not the sales of the film but all the spin off revenues sources, pysical products. And of course, a fan base that builds, as fans will support. Time will tell if this works for them. And I know they will share their experience to help others, like they always do.

BUY INK!!! 

</description>
		<content:encoded><![CDATA[<p>I know Jamin &amp; Kiowa, and they are great couple, filmmaking team. They knew this would happen. If anything, I know they want to go into this new terriroty to build an audience for their work, but now is the test whether piracy will work for the indies.</p>
<p>Personally, and I am sure they feel this way, 500,000 illegal downloads is not lost sales. Most of those people would probably never have been aware of the film if it was not for bi torrent, and would not have bought it.</p>
<p>Positve side, each one of those people only needs to tell one or two friends about the film, and then they might find fans there that will also be the dvd, other content. So its not negative. In terms of from an indies standpoint who have no marketing money like studios.</p>
<p>I think the future is not the sales of the film but all the spin off revenues sources, pysical products. And of course, a fan base that builds, as fans will support. Time will tell if this works for them. And I know they will share their experience to help others, like they always do.</p>
<p>BUY INK!!!</p>
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		<title>By: LS</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-229607</link>
		<dc:creator>LS</dc:creator>
		<pubDate>Mon, 16 Nov 2009 05:16:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-229607</guid>
		<description>Your piece is mostly a thoughtful one, but discredits itself by not making the distinction between piracy and theft.

Media piracy is copyright infringement, not theft (or &#039;stealing&#039;). The latter requires the owner to be deprived of the use of the item in question. Photocopying a book is not the same as physically stealing it, though both may be illegal. This is a very important distinction, and what makes the former a civil offence, and the latter a criminal one (at least where I live). It is pure propaganda to describe movie piracy as theft.

The merits and detriments of copyrights in general are different to those of physical property, in some part because copyrights cannot currently be effectively enforced. What doesn&#039;t work doesn&#039;t last.

This is probably a good thing, because it stops distributors of media charging artificially high prices, and allows smaller players into the market. Consider the situation before the advent of the Internet - the little indie filmmakers you feature wouldn&#039;t be able to argue the merits of piracy - effectively they wouldn&#039;t exist.

The fact is that all this is just capitalism at work - a more efficient method forces out a less efficient method. Braying against it is useless, and simple pandering to vested interests. The only way forward is to develop business models that capitalise on the mass distribution digital technology allows. This could be making it convenient and inexpensive to pay (a la itunes), or something else entirely.
</description>
		<content:encoded><![CDATA[<p>Your piece is mostly a thoughtful one, but discredits itself by not making the distinction between piracy and theft.</p>
<p>Media piracy is copyright infringement, not theft (or &#8216;stealing&#8217;). The latter requires the owner to be deprived of the use of the item in question. Photocopying a book is not the same as physically stealing it, though both may be illegal. This is a very important distinction, and what makes the former a civil offence, and the latter a criminal one (at least where I live). It is pure propaganda to describe movie piracy as theft.</p>
<p>The merits and detriments of copyrights in general are different to those of physical property, in some part because copyrights cannot currently be effectively enforced. What doesn&#8217;t work doesn&#8217;t last.</p>
<p>This is probably a good thing, because it stops distributors of media charging artificially high prices, and allows smaller players into the market. Consider the situation before the advent of the Internet &#8211; the little indie filmmakers you feature wouldn&#8217;t be able to argue the merits of piracy &#8211; effectively they wouldn&#8217;t exist.</p>
<p>The fact is that all this is just capitalism at work &#8211; a more efficient method forces out a less efficient method. Braying against it is useless, and simple pandering to vested interests. The only way forward is to develop business models that capitalise on the mass distribution digital technology allows. This could be making it convenient and inexpensive to pay (a la itunes), or something else entirely.</p>
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	<item>
		<title>By: LS</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-229606</link>
		<dc:creator>LS</dc:creator>
		<pubDate>Mon, 16 Nov 2009 04:55:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-229606</guid>
		<description>Your piece is mostly a thoughtful one, but discredits itself by not making the distinction between piracy and theft.

Media piracy is copyright infringement, not theft (or &#039;stealing&#039;). The latter requires the owner to be deprived of the use of the item in question. Photocopying a book is not the same as physically stealing it, though both may be illegal. This is a very important distinction, and what makes the former a civil offense, and the latter a criminal one (at least where I live). It is pure propaganda to describe movie piracy as theft.

The merits and detriments of copyrights in general are different to those of physical property, in some part because they can not currently be effectively policed. What doesn&#039;t work, doesn&#039;t last.

This is probably a good thing, because it stops distributors of media charging artificially high prices, and allows smaller players into the market. Consider the situation before the advent of the internet - the little indie filmmakers you feature wouldn&#039;t be able to argue the merits - effectively they wouldn&#039;t exist.

The fact is that all this is just capitalism at work - a more efficient method forces out a less efficient method. Braying against it is useless, and simple pandering to vested interests. The only way forward is to develop business models the capitalise on the rapid distribution digital technology allows. This could be making it convenient and inexpensive to pay (a la itunes), or something else entirely.</description>
		<content:encoded><![CDATA[<p>Your piece is mostly a thoughtful one, but discredits itself by not making the distinction between piracy and theft.</p>
<p>Media piracy is copyright infringement, not theft (or &#8216;stealing&#8217;). The latter requires the owner to be deprived of the use of the item in question. Photocopying a book is not the same as physically stealing it, though both may be illegal. This is a very important distinction, and what makes the former a civil offense, and the latter a criminal one (at least where I live). It is pure propaganda to describe movie piracy as theft.</p>
<p>The merits and detriments of copyrights in general are different to those of physical property, in some part because they can not currently be effectively policed. What doesn&#8217;t work, doesn&#8217;t last.</p>
<p>This is probably a good thing, because it stops distributors of media charging artificially high prices, and allows smaller players into the market. Consider the situation before the advent of the internet &#8211; the little indie filmmakers you feature wouldn&#8217;t be able to argue the merits &#8211; effectively they wouldn&#8217;t exist.</p>
<p>The fact is that all this is just capitalism at work &#8211; a more efficient method forces out a less efficient method. Braying against it is useless, and simple pandering to vested interests. The only way forward is to develop business models the capitalise on the rapid distribution digital technology allows. This could be making it convenient and inexpensive to pay (a la itunes), or something else entirely.</p>
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		<title>By: Peter Donohue</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-229605</link>
		<dc:creator>Peter Donohue</dc:creator>
		<pubDate>Mon, 16 Nov 2009 03:20:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-229605</guid>
		<description>iTunes and Netflix both have a lot of movies that are available to download/stream for prices that are much lower than the average DVD. I don&#039;t think accessibility is the problem, I think that people would rather have a movie for free because we&#039;re greedy bastards.</description>
		<content:encoded><![CDATA[<p>iTunes and Netflix both have a lot of movies that are available to download/stream for prices that are much lower than the average DVD. I don&#8217;t think accessibility is the problem, I think that people would rather have a movie for free because we&#8217;re greedy bastards.</p>
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		<title>By: Bobby</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151023</link>
		<dc:creator>Bobby</dc:creator>
		<pubDate>Mon, 16 Nov 2009 02:05:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151023</guid>
		<description>MAKE FILMS MORE ACCESIBLE! THE ANSWER IS INFRONT OF EVERYONE! Put it up on a site where I can download or stream ir for a reasonable price... then there will be no incentive to download it! When will the studios get up to speed with the rest of the internet? PEOPLE can download movies pretty easily, so make them available to download easily and affordably!</description>
		<content:encoded><![CDATA[<p>MAKE FILMS MORE ACCESIBLE! THE ANSWER IS INFRONT OF EVERYONE! Put it up on a site where I can download or stream ir for a reasonable price&#8230; then there will be no incentive to download it! When will the studios get up to speed with the rest of the internet? PEOPLE can download movies pretty easily, so make them available to download easily and affordably!</p>
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		<title>By: Neil Miller</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151018</link>
		<dc:creator>Neil Miller</dc:creator>
		<pubDate>Sun, 15 Nov 2009 20:54:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151018</guid>
		<description>I feel like the problem is that you think that you &lt;b&gt;should&lt;/b&gt; be able to &quot;return a bad movie to the store to get your money back.&quot; What makes that okay? Why should you be able to &quot;try out&quot; a movie and then not have to pay for it if it&#039;s bad? I believe that to be a very selfish, unreasonable stance.&lt;br&gt;&lt;br&gt;Explain another product you can do that with. You don&#039;t have the right (as a consumer) to say that just because you don&#039;t like something (your opinion), you shouldn&#039;t have to pay for it... Please explain that, as I don&#039;t understand the mindset under which that&#039;s alright.</description>
		<content:encoded><![CDATA[<p>I feel like the problem is that you think that you <b>should</b> be able to &#8220;return a bad movie to the store to get your money back.&#8221; What makes that okay? Why should you be able to &#8220;try out&#8221; a movie and then not have to pay for it if it&#39;s bad? I believe that to be a very selfish, unreasonable stance.</p>
<p>Explain another product you can do that with. You don&#39;t have the right (as a consumer) to say that just because you don&#39;t like something (your opinion), you shouldn&#39;t have to pay for it&#8230; Please explain that, as I don&#39;t understand the mindset under which that&#39;s alright.</p>
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		<title>By: Jason Broaddus</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151017</link>
		<dc:creator>Jason Broaddus</dc:creator>
		<pubDate>Sun, 15 Nov 2009 19:43:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151017</guid>
		<description>One thing I&#039;d be interested to see is how the relationship of the downturn in the economy and amount of people who pirate. For some people getting a pirated movie may be the only way they can watch the movie, hear a song or whatever. Not that it justifies piracy, but just a thought. I hope with all the added publicity &quot;Ink&quot; has gotten from being pirated translates to the film makers getting more work in the future.</description>
		<content:encoded><![CDATA[<p>One thing I&#39;d be interested to see is how the relationship of the downturn in the economy and amount of people who pirate. For some people getting a pirated movie may be the only way they can watch the movie, hear a song or whatever. Not that it justifies piracy, but just a thought. I hope with all the added publicity &#8220;Ink&#8221; has gotten from being pirated translates to the film makers getting more work in the future.</p>
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		<title>By: Cole_Abaius</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151015</link>
		<dc:creator>Cole_Abaius</dc:creator>
		<pubDate>Sun, 15 Nov 2009 18:35:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151015</guid>
		<description>While I agree with you that there&#039;s no direct correlation for the 400,000 downloads to ticket sales (and I think that&#039;s where Kiowa points out that she sees them as gained fans instead of lost ticket purchases), I don&#039;t agree with your principle about piracy. &lt;br&gt;&lt;br&gt;Here&#039;s why. When I was growing up, my father owned a pub, and every day we&#039;d have at least one customer ask to speak to a manager because they 1) didn&#039;t like the food despite 2) eating all of it. My father would calmly tell them that the restaurant wasn&#039;t a sampling place.&lt;br&gt;&lt;br&gt;Simply put, you don&#039;t get your money back just because you don&#039;t like something. That&#039;s part of the risk of sale, the buyer beware that pirates don&#039;t seem to want to adhere to. I&#039;m no expert on the mindset here, but it&#039;s clear that people downloading things don&#039;t believe they should have to pay to enjoy a product. As you said, they don&#039;t believe they should have to pay for shoddy work. I understand the impossibility of knowing whether something is shoddy or not before the purchase, but that&#039;s how a ton of products in life are. &lt;br&gt;&lt;br&gt;I don&#039;t believe that everyone that pirates stuff would have bought it otherwise, but I think that people who get something for nothing aren&#039;t helping the industry. They are certainly not free advertising.</description>
		<content:encoded><![CDATA[<p>While I agree with you that there&#39;s no direct correlation for the 400,000 downloads to ticket sales (and I think that&#39;s where Kiowa points out that she sees them as gained fans instead of lost ticket purchases), I don&#39;t agree with your principle about piracy. </p>
<p>Here&#39;s why. When I was growing up, my father owned a pub, and every day we&#39;d have at least one customer ask to speak to a manager because they 1) didn&#39;t like the food despite 2) eating all of it. My father would calmly tell them that the restaurant wasn&#39;t a sampling place.</p>
<p>Simply put, you don&#39;t get your money back just because you don&#39;t like something. That&#39;s part of the risk of sale, the buyer beware that pirates don&#39;t seem to want to adhere to. I&#39;m no expert on the mindset here, but it&#39;s clear that people downloading things don&#39;t believe they should have to pay to enjoy a product. As you said, they don&#39;t believe they should have to pay for shoddy work. I understand the impossibility of knowing whether something is shoddy or not before the purchase, but that&#39;s how a ton of products in life are. </p>
<p>I don&#39;t believe that everyone that pirates stuff would have bought it otherwise, but I think that people who get something for nothing aren&#39;t helping the industry. They are certainly not free advertising.</p>
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		<title>By: Matt</title>
		<link>http://www.filmschoolrejects.com/news/ink-producer-responds-to-piracy-colea.php/comment-page-1#comment-151013</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Sun, 15 Nov 2009 17:32:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.filmschoolrejects.com/?p=58434#comment-151013</guid>
		<description>What you and they don&#039;t seem to understand is that 400,000 downloads doesn&#039;t equal 400,000 lost sales.  Most of those people would never even think of purchasing the film.  Yet many of those that do think about purchasing the film wouldn&#039;t have done so without downloading it first.  If anything 400,000 downloads translates to a few thousand sales.  The rest of the 400,000?  They count as nothing but free advertising.  The idea that every one who downloads something would have otherwise bought it is asinine and the biggest detriment to the conversation about piracy.  There *is* a doubt that it is harmful.  Very few people who download movies believe they are Robin Hood.  Plenty of them believe they should not have to pay for something that is shoddy work, and there&#039;s no equivalent of &quot;returning a bad movie to the store to get your money back&quot; thanks in part to the very fighting of piracy that we&#039;re talking about.</description>
		<content:encoded><![CDATA[<p>What you and they don&#39;t seem to understand is that 400,000 downloads doesn&#39;t equal 400,000 lost sales.  Most of those people would never even think of purchasing the film.  Yet many of those that do think about purchasing the film wouldn&#39;t have done so without downloading it first.  If anything 400,000 downloads translates to a few thousand sales.  The rest of the 400,000?  They count as nothing but free advertising.  The idea that every one who downloads something would have otherwise bought it is asinine and the biggest detriment to the conversation about piracy.  There *is* a doubt that it is harmful.  Very few people who download movies believe they are Robin Hood.  Plenty of them believe they should not have to pay for something that is shoddy work, and there&#39;s no equivalent of &#8220;returning a bad movie to the store to get your money back&#8221; thanks in part to the very fighting of piracy that we&#39;re talking about.</p>
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